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Picture of Anais Sobrier

Anais Sobrier

Cartoons
(Graphic: ANAIS SOBRIER/The Stanford Daily)

The Big entrance

Anais Sobrier
  •  
Nov. 20, 2024

Multimedia by Anais Sobrier

The Grind
"Those Who Were Dancing" explores the joys of music in its many mediums. (Graphic: ANAIS SOBRIER/The Stanford Daily)

Those Who Were Dancing: The joys of live music

Carly Green
  •  
Feb. 25
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A person holding a camera with a film scene framed in the lens.

‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic

Mason Barrett
  •  
Jan. 21
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A graphic of a person holding a camera pointed at the viewer.

How About Now: ‘A Fistful of Dollars’ (1964) is convoluted yet thrilling

Mason Barrett
  •  
Jan. 6
Reads
The Leland Quarterly "LQ" logo is in big read letters against a white background. There is a Stanford tree in the Q.

Literary magazine Leland Quarterly opens doors to creative expression and student publication

Katie Small
  •  
Dec. 6, 2024
Reads
An animated book lies open with passages of text covered up by black blocks to represent book banning.

Behind the nationwide rise of book bans

Sanaya Robinson-Shah
  •  
Dec. 4, 2024
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A graphic of a person holding a camera pointed at the viewer.

How About Now: ‘Rebel Without a Cause’ preemptively rebels against teen-comedies

Mason Barrett
  •  
Nov. 18, 2024
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A graphic of a person holding a camera pointed at the viewer.

How About Now: ‘Sullivan’s Travels’ spotlights social inequality in America

Mason Barrett
  •  
Nov. 4, 2024
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A person sits in a movie theater with the text "I watched 40 movies this summer...here are my five favorites" on the screen.

I watched 40 movies this summer. Here are my five favorites.

Ellaheh Gohari
  •  
Oct. 30, 2024
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A graphic of a person holding a camera pointed at the viewer.

How About Now: The true monster of ‘Frankenstein’ (1931) was an unfaithful book adaptation

Mason Barrett
  •  
Oct. 21, 2024
The Stanford Daily

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