Album Review: Tevvez keeps the legacy of Zyzz alive with ‘Phantom’

Will Li is a high school student writing as part of The Daily’s Summer Journalism Workshop. Contact them at workshop 'at' stanforddaily.com.

August playlist: Soak up the last few weeks of summer

Katie Chang is s a high schooler writing as part of The Daily’s Summer Journalism Workshop. Contact them at workshop 'at' stanforddaily.com.

Taylor Swift’s ‘Folklore,’ one year later: Seeking escape and accepting the present

Maya Wong is a high schooler writing as part of The Daily’s Summer Journalism Workshop. Contact them at workshop 'at' stanforddaily.com.

Album Review: Is ‘Faith’ a truly faithful continuation of the artist’s legacy?

Kenisha Mahajan is a high schooler writing as part of The Daily’s Summer Journalism Workshop. Contact them at workshop 'at' stanforddaily.com.

Billie Eilish’s ‘Happier Than Ever’ is both powerful and vulnerable

Bridget is a high schooler writing as part of The Daily’s Summer Journalism Workshop. Contact them at workshop 'at' stanforddaily.com.

What’s wrong with ‘Solar Power’?

Naveed Shakoor is a high schooler writing as part of The Daily’s Summer Journalism Workshop. Contact them at workshop 'at' stanforddaily.com.

Album Review: ‘Planet Her’ propels Doja Cat to new heights

Album Review: ‘Ancient Dreams in a Modern Land’ takes on an ecofeminist lens

Aslıhan Alp is a high schooler writing as part of The Daily’s Summer Journalism Workshop. Contact them at workshop 'at' stanforddaily.com.

Album Review: ‘Vince Staples’ by Vince Staples

Nick Sligh is a Junior from Athens, Georgia, studying Economics and International Relations. Nick is always open to discuss anything relating to music, NBA basketball, and movies/TV. As somebody with a deep interest in hip-hop/rap and r&b music, Nick covers these genres through his articles. Feel free to contact him at nsligh 'at' stanforddaily.com

‘Yeezus’ revisited: The impact of Kanye’s most divisive work

Vidyuth is a high school student in The Stanford Daily's Summer Journalism Workshop.

My 10 favorite albums from queer musicians since 2010: Top 4

Young Fenimore Lee '21 (they/them) is a writer for Arts & Life. They are majoring in English with a concentration in creative writing; they write creative nonfiction and poetry. They are also a music journalist with a fondness for indie rock and anything experimental. Contact them at arts 'at' stanforddaily.com.

My 10 favorite albums from queer musicians since 2010 (#8-#5)

My 10 favorite albums from queer musicians since 2010: honorable mentions, #10, #9

Album Review: ‘Call Me If You Get Lost’ by Tyler, The Creator

My 10 favorite albums from Asian/Asian American musicians since 2010: Top 4

My 10 favorite albums from Asian and Asian American musicians since 2010: #8 through #5

Album Review: “Course of the Inevitable” by Lloyd Banks

Album Review: “El Dorado” by 24kGoldn

‘I want it to be, like, messy’: Reviewing Olivia Rodrigo’s album, ‘SOUR’

Album Review: ‘Pray for Haiti’ by Mach-Hommy

St. Vincent’s sixth album “Daddy’s Home” self-consciously spins the music of 1970s icons

Lily Nilipour is the Vol. 259 Reads desk editor for Arts & Life and an English major on a gap year. She loves to talk modernism — especially Virginia Woolf — digital humanities and literary magazines. Contact her at lnilipour 'at' stanforddaily.com

My 10 favorite albums from Asian/Asian American musicians since 2010: Preface, Honorable Mentions, #10 and #9

EP Review: ‘Be Right Back’ by Jorja Smith

Live music returns to Stanford with Stanford Philharmonia performance on Meyer Green

Peyton Lee '24 is a music beat reporter for Arts & Life. His focus is classical performance, but he also enjoys pop, R&B, and jazz. Contact Peyton at plee 'at' stanforddaily.com

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