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Screen

Screen
A still from "Seven Samurai." (Courtesy of japanesefilmarchive)

Overcoming the ‘one inch tall barrier of subtitles’ with Akira Kurosawa

Emmett Chung
  •  
June 23
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Katie Meyer in soccer gear looks to the side

Sitting with Katie Meyer’s story in ‘Save’

Dan Kubota
  •  
June 3
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A boy is holding a camera up to his eye with an image of five individuals smiling being reflected in the lens.

‘M*A*S*H’ (1970) is riddled with prejudice

Mason Barrett
  •  
June 3
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A movie director's sign with gender symbols on it with text "HER POV."

‘Summer of 69’ says: Forget the guy — make a friend instead

Blyss Cleveland
  •  
May 27
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In her column “Desi Deep Dives,” Siri Atluri ’28 explores South Asian media and cultural conversations. (Graphic: DA-HEE KIM/The Stanford Daily)

Desi Deep Dives | Bollywood fashion from the early 2000s

Siri Atluri
  •  
May 18
Screen
A mirror reflects a standing camera.

The Stanford Scene: West Mulholland ’27 balances stardom and Stanford

Paolo Ferreira Reitz
  •  
May 8
Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘Actual People’ chooses to lose post-grad blues

Blyss Cleveland
  •  
May 4
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A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘On Becoming a Guinea Fowl’ calls to speak ill of the living before they die

Blyss Cleveland
  •  
April 21
Screen
Images of several individuals on a virtual panel are bordered with the title "Seen on the Screen".

‘Seen on the Screen’ podcast proves there’s no one true path in entertainment

Grace Zhao
  •  
April 20
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“Drop” is an entertaining watch that strikes a healthy balance between dread and humor, writes Cunningham. (Graphic: DA-HEE KIM/The Stanford Daily)

Universal Pictures starts the year in thrilling fashion with ‘Drop’

Madisyn Cunningham
  •  
April 13
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A boy is holding a camera with an image of a gunslinger in the lens.

‘For a Few Dollars More’ (1965) surpasses its predecessor

Mason Barrett
  •  
April 8
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Man looks to his left.

‘Again, Time’: Ben Russell meditates on the cinematic medium

Alexandra Blum
  •  
April 7
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A movie director's sign with gender symbols on it with text "HER POV."

Her POV: Spotlighting landmark independent films directed by Black women

Blyss Cleveland
  •  
April 3
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A toy monkey is smiling eerily in the shadows.

The Monkey Review: Horror, humor and the drumbeat of doom

Zora Hudson
  •  
April 2
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Man smiling with pink triangles behind him.

Second Take: ‘Milk’ highlights gay hope and humanity

Sebastian Strawser
  •  
March 6
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Despite a rushed second season, "Arcane" pushes the genre of animation forward with groundbreaking artistry and creativity. (Graphic by Da-Hee Kim)

‘Arcane’ season 2: A new era of adult animation

Sara Alanis Morales
  •  
March 3
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Boy holding camera with image of man holding camera in lens.

‘Rear Window’ exemplifies a brilliantly crafted thriller

Mason Barrett
  •  
March 3
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A strip of film with reverse signs printed on it

Second Take: ‘The Winter Soldier’ tackles American democracy and security

Sebastian Strawser
  •  
Feb. 20
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Sterling K. Brown smiling at a VidCon panel

‘Paradise’ is a world stranger than reality

Blyss Cleveland
  •  
Feb. 20
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In his column “How About Now,” Mason Barrett ’28 reviews classic films through a modern lens.

‘It’s a Wonderful Life’ (1946) is an exceptional story with a complex protagonist

Mason Barrett
  •  
Feb. 17
The Stanford Daily

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