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Screen
Screen
Interactive graphic novel ‘Florence’ is the perfect heartbreak for $2.99
Kyla Figueroa
  •  
March 14
Screen
When will the Oscars acknowledge horror films?
Shayna Freedman
  •  
March 9
Screen
Oscars crash course:Â Lightning reviews of all ten Best Picture nominees
Sam Waddoups
  •  
March 9
Screen
Wonder what happens when you give a bear cocaine? Me too.
Kirsten Mettler
  •  
March 9
Screen
20/20 Vision: How the 100-year-old film ‘Dr. Jekyll and Mr. Hyde’ gave me the jitters
Anthony Martinez Rosales
  •  
March 8
Screen
Death, Swamps and Eggs: Discussing performance-based video ‘Mourning Rituals’ at the Cantor
Lauren Boles
  •  
March 5
Screen
M. Night Shyamalan’s latest twist? Making bad movies
Kirsten Mettler
  •  
March 1
Screen
What is a comeback? Avi Gupta ’23 pulls off thrilling ‘Jeopardy!’ win
Sam Waddoups
  •  
Feb. 22
Screen
The One: There is nothing like ‘Notting Hill’
Lauren Koong
  •  
Feb. 22
Screen
Secrets of the surface: An inspiring story of passion and tenacity
Mirelys Mendez-Pons
  •  
Feb. 21
Screen
From child actress to Stanford student: Behind the scenes with Lauren Ariana Boles
Grace Zhou
  •  
Feb. 20
Screen
‘Art & Krimes by Krimes’ tells story of art as ingenuity and resistance
Kirsten Mettler
  •  
Feb. 16
Screen
The Black love interest: Black casting through racebending
Blyss Cleveland
  •  
Feb. 15
Culture
NYFW: Alice + olivia’s Fall Collection looks to the past and future all at once
Nadia Chung
and
Celeste Chung
  •  
Feb. 14
Screen
‘Somebody I Used to Know’ satisfyingly subverts the traditional romantic comedyÂ
Kyla Figueroa
  •  
Feb. 13
Screen
Stanford Film Society is back — and has big plans
Lauren Boles
  •  
Feb. 12
Arts & Life
Issa Rae’s post-‘Insecure’ era is an exploration of Black women’s interiority and creativity
Blyss Cleveland
  •  
Feb. 9
Screen
What’s in a perfect life? ‘The Good Place’ creator Michael Schur has some advice
Sebastian Hochman
  •  
Feb. 8
Screen
‘The Whale’ sinks, but Fraser makes waves
Kirsten Mettler
  •  
Feb. 6
Screen
‘That ’90s Show’ proves that you can never go home again
Elena Vasilache
  •  
Feb. 5
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