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‘Good’ girlhood: ‘Everything Now’ portrays the pain of grappling with conformity for survival
Blyss Cleveland
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Oct. 27
Screen
A Lover Girl’s Guide: A lonely but great romance
Hana Dao
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Oct. 23
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‘Good’ girlhood: ‘Aftersun’ and the pain of turning girlhood memories into adult wisdom
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Oct. 16
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‘No One Will Save You’ explores the terror of your 20s in a mildly scary alien flick
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Oct. 12, 2023
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‘Bottoms’: The perfect teenage-lesbian-fight-club fever dreamÂ
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Oct. 5, 2023
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Q&A: Michael Lee ’95 recounts ‘XO, Kitty’ and Broadway
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Oct. 3, 2023
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“Succession” closes with a dramatic downfall
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Sept. 29, 2023
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Movie night at The Daily: What to watch this AAPI Heritage Month
Carolyn Stein
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Hana Dao
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Kristofer Nino
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Blyss Cleveland
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Anthony Martinez Rosales
•
May 31, 2023
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American teenage rom-com meets Korean drama in Netflix’s ‘XO, Kitty’
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‘The Super Mario Bros. Movie’ is bleakly honest with audiences
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May 29, 2023
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20/20 Vision: Legacy of ‘Wings’ (1927) as the first Best Picture
Anthony Martinez Rosales
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May 25, 2023
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Q&A: Jess Lee ‘23 on Storyboard Club’s role in the entertainment arts community
Ximena Sanchez Martinez
•
May 21, 2023
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Problematic plot holes and true love’s power: ‘Queen Charlotte: A Bridgerton Story’ in review
Shreya Komar
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May 18, 2023
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Flying Horse Films hosts spring screening of creative student films
Hana Dao
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May 7, 2023
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‘America’s Gift to Famine-Stricken Russia’ as a propagandist display of U.S. relief efforts
Linda Liu
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May 3, 2023
Screen
20/20 Vision: How racism undermines the technical achievement of ‘The Jazz Singer’ (1927)
Anthony Martinez Rosales
•
April 27, 2023
Screen
‘Rye Lane’ looks at love from both sidesÂ
Blyss Cleveland
•
April 25, 2023
Screen
‘Squid Game’ actor Byung Hun Lee talks about the future of Korean pop culture
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April 23, 2023
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The One: ‘Breakfast at Tiffany’s’ is a problematic classic
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April 20, 2023
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20/20 Vision: Short and sweet storytelling in ‘Sherlock Jr.’ (1924)
Anthony Martinez Rosales
•
April 18, 2023
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