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Screen
Arts & Life
Q&A: Ph.D. student Yousuf Khan and the Netflix game show, Bullsh*t
Rebecca Jia
  •  
May 24, 2022
Screen
Poetry Into Film Festival illuminates the depth of Stanford’s artistic community
Chloe Anne Walsh
  •  
May 15, 2022
Screen
Combing the 100% Club: ‘Paper Spiders’ depicts the rugged reality of mental illness
Malia Mendez
  •  
April 21, 2022
Screen
What to watch: Exploring mental health
Kristofer Nino
  •  
April 21, 2022
Screen
‘Try Harder!’ is a concerning glimpse into the world of competitive college admissions
Eric Zhu
  •  
April 7, 2022
Arts & Life
‘Morbius’ sucks: meet the Sony/Marvel vampire flop
Kirsten Mettler
  •  
April 6, 2022
Arts & Life
Sergei Loznitsa speaks on filming Ukrainian social movements
Linda Liu
  •  
April 3, 2022
Arts & Life
‘Everything Everywhere All at Once’: Multiverse, everything bagel, martial arts and Michelle Yeoh
Bhumikorn Kongtaveelert
  •  
March 29, 2022
Arts & Life
‘The Batman’: Incels, the Bechdel test and Robert Pattinson’s best looks
Cameron Duran
  •  
March 27, 2022
Arts & Life
Combing the 100% Club: ‘Summer 1993’ indulges in childlike sensibility
Malia Mendez
  •  
March 7, 2022
Screen
‘Encanto’ reframes Blackness and Latin America in Disney’s animation catalog
Bryan Steven Monge Serrano
  •  
Feb. 28, 2022
Arts & Life
What to watch: Black History Month recommendations
Betty He
,
Kirsten Mettler
,
Aditeya Shukla
,
Leyla Yilmaz
and
Malia Mendez
  •  
Feb. 24, 2022
Arts & Life
2022 Oscars: ‘Don’t Look Up’ kicks and screams to get best picture nomination
Abby Converse
  •  
Feb. 24, 2022
Screen
Class disparity and romance in ‘My Summer of Love’
Yastika Guru
  •  
Feb. 23, 2022
Arts & Life
MFA documentary students screen hopeful, poignant films
Bhumikorn Kongtaveelert
  •  
Jan. 31, 2022
Arts & Life
Documentary filmmaker Paloma MartÃnez on storytelling, ‘the hand of the state’ and creative self-discovery
Lydia Wei
  •  
Jan. 17, 2022
Arts & Life
Stanford alums make Golden Globe showing but walk away empty-handed
Kirsten Mettler
  •  
Jan. 10, 2022
Screen
FILMPROD 114 showcases potential for student film scene at Stanford
Bhumikorn Kongtaveelert
  •  
Dec. 5, 2021
Screen
‘The French Dispatch’ is off-puttingly experimental, even for Wes Anderson
Edwin Amaya
  •  
Dec. 2, 2021
Screen
Screening of Nefise Özkal Lorentzen’s documentary calls for a revolution in our perception of Islam
Leyla Yilmaz
  •  
Nov. 14, 2021
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