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Chris McKenna ’92 produces new spooky Netflix show ‘Haunted Hotel’
Sterling Davies
•
Oct. 6
Screen
Love and music intertwine in student-made short film ‘Lili’
Grace Zhao
•
Sept. 24
Screen
Motherhood should not equal sacrifice: The treatment of mothers in ‘Squid Game’
Kaveri Udupa
•
Sept. 23
Screen
Overcoming the ‘one inch tall barrier of subtitles’ with Akira Kurosawa
Emmett Chung
•
June 23
Screen
Sitting with Katie Meyer’s story in ‘Save’
Dan Kubota
•
June 3, 2025
Screen
‘M*A*S*H’ (1970) is riddled with prejudice
Mason Barrett
•
June 3, 2025
Screen
‘Summer of 69’ says: Forget the guy — make a friend instead
Blyss Cleveland
•
May 27, 2025
Screen
Desi Deep Dives | Bollywood fashion from the early 2000s
Siri Atluri
•
May 18, 2025
Screen
The Stanford Scene: West Mulholland ’27 balances stardom and Stanford
Paolo Ferreira Reitz
•
May 8, 2025
Screen
Her POV: ‘Actual People’ chooses to lose post-grad blues
Blyss Cleveland
•
May 4, 2025
Screen
Her POV: ‘On Becoming a Guinea Fowl’ calls to speak ill of the living before they die
Blyss Cleveland
•
April 21, 2025
Screen
‘Seen on the Screen’ podcast proves there’s no one true path in entertainment
Grace Zhao
•
April 20, 2025
Screen
Universal Pictures starts the year in thrilling fashion with ‘Drop’
Madisyn Cunningham
•
April 13, 2025
Screen
‘For a Few Dollars More’ (1965) surpasses its predecessor
Mason Barrett
•
April 8, 2025
Screen
‘Again, Time’: Ben Russell meditates on the cinematic medium
Alexandra Blum
•
April 7, 2025
Screen
Her POV: Spotlighting landmark independent films directed by Black women
Blyss Cleveland
•
April 3, 2025
Screen
The Monkey Review: Horror, humor and the drumbeat of doom
Zora Hudson
•
April 2, 2025
Screen
Second Take: ‘Milk’ highlights gay hope and humanity
Sebastian Strawser
•
March 6, 2025
Screen
‘Arcane’ season 2: A new era of adult animation
Sara Alanis Morales
•
March 3, 2025
Screen
‘Rear Window’ exemplifies a brilliantly crafted thriller
Mason Barrett
•
March 3, 2025
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