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Arts & Life

Arts & Life

Combing the 100% Club: ‘Leave No Trace’ balances social critique with gentle hope

Malia Mendez
  •  
June 7, 2022
Arts & Life
A girl with long black hair and wearing an auburn top looks up at the sky with her hands on her hips. In the background are trees and a tall vertical slab of stone.

Q&A: Stanford frosh fights climate change from her garage

Joseph Kim
  •  
June 2, 2022
Arts & Life
A close up view of a transparent video game controller, held with two hands. In the background is a TV

Q&A: Stanford esports players speak on how they avoid burnout

Joseph Kim
  •  
June 1, 2022
Arts & Life
Stanford Daily graphic of Madame Gandhi

Madame Gandhi M.A. ’22, former drummer for M.I.A., pushes for the ethical consumption of music

Betty He
  •  
June 1, 2022
Arts & Life
A man wearing a black t-shirt gazes at the camera wistfully, against a blurry background.

Ethan Lee ’23 to appear in new Wes Anderson feature ‘Asteroid City’

Georgia Limcaoco
  •  
May 31, 2022
Arts & Life

The Daily takes the aux: May music staff picks

Vanessa Chen, Richard Coca, Kyla Figueroa, Chloe Anne Walsh, Zach Zafran, Brandon Rupp, Nick Sligh, Michelle Fu, Kristofer Nino, Andrew Gerges, Vivian Wang, Malia Mendez, Kirsten Mettler and Aditeya Shukla
  •  
May 31, 2022
Arts & Life
Kevin Martin stands under a lamp post as he looks downward

‘When The Dust Settles’: 4 years in the making, but just the beginning for Kevin Martin ’22

Eric Zhu
  •  
May 31, 2022
Arts & Life

Lately in Literature: From colonialism to the 21st century in Natasha Brown’s ‘Assembly’

Leyla Yilmaz
  •  
May 30, 2022
Arts & Life
A multi-colored background of orange, pink, and red with five book covers in the foreground.

What to read: AAPI Heritage Month recommendations

Kirsten Mettler, Lily Zhou, Kyla Figueroa, Peyton Lee and Richard Coca
  •  
May 30, 2022
Arts & Life

What to watch: AAPI Heritage Month recommendations

Kristofer Nino, Eric Zhu, Kirsten Mettler, Peyton Lee and Linda Liu
  •  
May 30, 2022
Reads
Close-up view of a set of numbered red books, spines facing out like on a bookshelf

William Brewer’s ‘The Red Arrow’ is a complex portrait of a struggling writer

Lily Zhou
  •  
May 29, 2022
Arts & Life

Asian American and Pacific Islander Heritage Month: Music recommendations

Kyla Figueroa, Nick Sligh, Peyton Lee, Ryan Loo, Richard Coca and Chloe Anne Walsh
  •  
May 29, 2022
Music
Danny Ritz performs at the arbor, singing into the microphone

Danny Ritz’s ’23 ‘Remedy’ marries production and poetics

Malia Mendez
  •  
May 29, 2022
Music

Beandon’s Musical Corner: ‘Labyrinthitis’ by Destroyer

Brandon Rupp
  •  
May 26, 2022
Music
Stanford Daily graphic for New Music with Nick's edition on Kendrick Lamar

New Music with Nick: ‘Mr. Morale & The Big Steppers’ by Kendrick Lamar

Nick Sligh
  •  
May 25, 2022
Music
The Dip performing on stage bathed in a red spotlight

The Dip brings soul and funk to The Guild Theater

Richard Coca
  •  
May 25, 2022
Reads

Elif Batuman’s ‘Either/Or’ is endearingly tedious

Lily Zhou
  •  
May 25, 2022
Music
A yellow house with a stylized Harry Styles standing out front sits in a field of flowers.

‘Harry’s House’ is a charming, stylish exploration of romance that lacks in lyricism

Victoria Hsieh
  •  
May 24, 2022
Arts & Life

Emily St. John Mandel’s ‘Sea of Tranquility’ is an overly simplistic exploration of Nihilism

Lily Zhou
  •  
May 24, 2022
Arts & Life
A man wearing a black shirt and black backwards baseball cap, standing in front of a glass building, with his arms crossed and smiling at the camera.

Q&A: Ph.D. student Yousuf Khan and the Netflix game show, Bullsh*t

Rebecca Jia
  •  
May 24, 2022
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