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Friday, January 27th, 2023
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Arts & Life
Arts & Life
Slept on Songs: almost monday
Aditeya Shukla
  •  
Jan. 9
Screen
A glorified nature documentary just isn’t enough: ‘Avatar: The Way of Water’
Nicole Tong
  •  
Jan. 8
Music
The top 25 hip-hop albums of 2022
Nick Sligh
  •  
Dec. 29
Screen
In Tumblr’s alternative canon, ‘The Social Network’ is a gay love story
Lydia Wei
  •  
Dec. 8
Music
Beandon’s Musical Corner: Five Fantastic Albums
Brandon Rupp
  •  
Dec. 8
Screen
“She Said” succeeds as a moving story about sexual assault while remaining sensitive to survivors
Cameron Duran
  •  
Dec. 8
Music
The Daily takes the aux: Fall 2022 music staff picks
Oriana Riley
,
Nick Sligh
,
Neil Rathi
,
Kelly Wang
,
Blyss Cleveland
,
Elena Vasilache
,
Nicole Tong
and
Sofia Gonzalez-Rodriguez
  •  
Dec. 7
Music
Victoria’s Vogue: Rihanna’s reign as the muse of fashion
Victoria Hsieh
  •  
Dec. 7
Screen
The State of Animation: Why do animated shows always have holiday specials?
Kristofer Nino
  •  
Dec. 7
Music
SSO Fall Concert takes audience to 20th-century history and back
Linda Liu
  •  
Dec. 6
Culture
‘Diego Rivera’s America’ is a testament to the power of activist art
Sebastian Hochman
and
Natalie Shtangrud
  •  
Dec. 6
Culture
TheatreWorks’ “Little Shop” highlights new horrors of gentrification in San Francisco’s Chinatown
Annie C. Reller
  •  
Dec. 6
Music
Ending on a high note: Emerson String Quartet’s final performance at Stanford
Aya Aziz
  •  
Dec. 5
Screen
Stanford Drag Troupe is never a drag
Isabella Saracco
  •  
Dec. 5
Music
What’s in a genre? Bassist Marcus Shelby questions what makes jazz, jazz
Sebastian Hochman
and
Natalie Shtangrud
  •  
Dec. 5
Culture
Breaking Ground: A smashing show of versatile performances
Annie C. Reller
  •  
Dec. 4
Culture
‘Everything Must Go’ illuminates both audience and company
Greta Reich
  •  
Dec. 4
Reads
Faith Merino and Jade Cho ‘create a new magic’ during Stegner Fellow reading
Grace Wong
  •  
Dec. 1
Music
‘New music that’s not really new’: Randall Goosby and Zhu Wang stun Bing with vibrant performance
Aya Aziz
  •  
Dec. 1
Culture
On a blood-smeared stage, TAPS’ fall production ‘Parentheses of Blood’ glistens
Annie C. Reller
  •  
Nov. 30
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