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Arts & Life
Culture
Harmonic hauntings: ‘Ghost Quartet’ captivates CoHo
Charlotte Kearns
  •  
Feb. 27
Music
Stanford (Taylor’s Version): Four new classes study Swift’s style and story
Linda Liu
  •  
Feb. 27
Culture
A spoonful of magic: Stanford Light Opera revives ‘Mary Poppins’
Charlotte Kearns
  •  
Feb. 26
Culture
Dining halls dish out special holiday menus
Alana Belle M. Tirado
and
Helen Katz
  •  
Feb. 25
Screen
‘Good’ Girlhood: ‘All Dirt Roads Taste of Salt’ is an evocative Black family portrait
Blyss Cleveland
  •  
Feb. 25
Music
Beandon’s Musical Corner: ‘Wall of Eyes’ by The Smile
Brandon Rupp
  •  
Feb. 25
Screen
Talk Horror to Me: Monstrous motherhood in ‘Huesera: The Bone Woman’
Emma Kexin Wang
  •  
Feb. 22
Culture
‘A Garden After Dark’ creates space for hidden heroes
Dakota Gelman
  •  
Feb. 22
Culture
Cardinal Canvas: Mourning home in Muriente’s ‘Celaje’
Adam Golomb
  •  
Feb. 22
Screen
Movie musical renaissance or regression?
Charlotte Burks
  •  
Feb. 22
Screen
Lights, Cardinals, Action: ’13 Going on 30′ writer dives into upcoming musical adaptation
Grace Zhou
  •  
Feb. 22
Reads
World of Words: Brokenness as being in ‘There Is an Anger That Moves’
Breanna Burke
  •  
Feb. 22
Culture
A latté of love for ‘Love, On Call’
Ellen Kim
and
Dan Kubota
  •  
Feb. 20
Reads
Stanford TBR: Re-examining 2020 in Zadie Smith’s ‘Intimations’
Cate Burtner
  •  
Feb. 20
Screen
New beginnings in ‘Abbott Elementary’ season three premiere
Emma Kexin Wang
  •  
Feb. 19
Screen
Movies Boomers Couldn’t Handle: Saltburn is disgracefully fun
Julia Donlon
  •  
Feb. 19
Screen
Stanford’s ‘Smash Bros’ find community in combat
Mark Allen Cu
  •  
Feb. 19
Culture
Do Valentine’s Day dessert specials deserve the love?
Sebastian Strawser
  •  
Feb. 16
Screen
‘Good’ girlhood: ‘Girlhood’ balances tenderness and violence
Blyss Cleveland
  •  
Feb. 16
Culture
NYC piano bar brings Broadway to Bing
Lydia Wei
  •  
Feb. 15
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