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‘Mamma Mia 2!’ is a sparkly, escapist sensation for the summer

Valerie Wu
  •  
July 26, 2018
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When will we be protagonists, too?

Sarah Feng
  •  
July 13, 2018
JASMINE VENET / The Stanford Daily

‘LIYANA’ fuses youthful fantasy and stark reality

Jasmine Venet
  •  
July 6, 2018
Courtesy of @cardinalstudios on Facebook / Stanford Arts & Life

Cardinal Studios creates ‘Psychobabble’ and ‘Cardboard Therapy’

Amy Lin
  •  
July 3, 2018
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[final cf] Austrian filmmaker Nikolaus Geyrhalter creates engaging, experimental documentaries

Maxwell Menzies
  •  
June 29, 2018
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Stanley Donen’s ‘Charade’ provides old-fashioned fun

Abe Thompson
  •  
June 14, 2018

Valladares: In a sentimental mood

Carlos Valladares
  •  
June 14, 2018
La belle Deneuve in 'The Umbrellas of Cherbourg' (1964) by Jacques Demy. (Courtesy of Janus Films)

Carlos Valladares’ favorite movies

Carlos Valladares
  •  
June 11, 2018
Courtesy of Sony Pictures Classics

Chloe Zhao’s ‘The Rider’ is riveting

Hayley Hodson
  •  
June 9, 2018
Courtesy of Walt Disney Studios Motion Pictures

‘Solo’ will satisfy Star Wars fans

Noah Howard
  •  
June 8, 2018

‘Beast’ lacks bite but leaves audiences haunted

Olivia Popp
  •  
May 31, 2018
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Throwback Thursday: Sergei Parajanov’s ‘The Color of Pomegranates’ is a mystifying masterpiece

Maxwell Menzies
  •  
May 31, 2018
Courtesy of Marvel Studios

‘Avengers: Infinity War’ is infinitely impressive

Isaac Vaught
  •  
May 30, 2018

‘Altered Carbon’ is visually radioactive yet as decaying as its name suggests

Abe Thompson
  •  
May 25, 2018

‘The Ocean & the Avenue’: an antidote to deadened Marvel cinema

Carlos Valladares
  •  
May 25, 2018
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‘Deadpool 2’ is rife with blood, sweat and nonsense

Noah Howard
  •  
May 24, 2018
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Director Michel Hazanavicius on ‘Godard Mon Amour,’ politics in cinema and distinguishing between art and artist

Amir Abou-Jaoude
  •  
May 16, 2018
Louis Garrel as the filmmaker and Stacy Martin as his actress-wife, Anne Wiazemsky, in “Godard Mon Amour.” (Courtesy of Cohen Media Group)

‘Godard Mon Amour’ is a loving tribute to an irreverent genius

Amir Abou-Jaoude
  •  
May 15, 2018

‘RBG’ fails to do justice to its subject

Amir Abou-Jaoude
  •  
May 15, 2018

‘Pacific Rim: Uprising’ doesn’t one-up the original

Noah Howard
  •  
May 14, 2018
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