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Olivia Popp

Olivia Popp

Olivia Popp was a managing editor of Arts & Life for volumes 251 through 254 and the editor-at-large for The Stanford Daily's board of directors for volumes 254 and 255. She hails from Michigan and enjoys science fiction TV shows, independent film festivals, and the Bay Area theater scene.
The Grind
Pictured: Stanford campus at sunset. (Photo: Yu Wang/Unsplash)

Popp: The case for being fickle

Olivia Popp
  •  
June 12, 2021
Featured
Students at the Theme House and Co-op Fair in 1983 (Photo: ARTIE STREIBER/The Stanford Daily)

Road to ResX: The Rise and Fall of Stanford Theme Housing

Olivia Popp
  •  
June 9, 2021
Arts & Life
(Courtesy of Sundance Institute)

Sundance 2021, part 7: ‘Flee’

Olivia Popp
  •  
June 3, 2021
Arts & Life
Emilia Jones in Siân Heder’s “CODA.” (Courtesy of Sundance Institute.)

Sundance 2021, part 6: ‘CODA’

Olivia Popp
  •  
June 2, 2021
Arts & Life
(Courtesy of the Sundance Institute)

Sundance 2021, part 4: ‘On the Count of Three’ and ‘Prime Time’

Olivia Popp
  •  
April 28, 2021
Arts & Life
(Photo: Sundance Institute)

Sundance 2021, part 3: ‘Mayday’ review

Olivia Popp
  •  
April 26, 2021
(Photo: Sundance Institute)

Sundance 2021, part 2: ‘The World to Come’ review

Olivia Popp
  •  
Feb. 23, 2021
Arts & Life

SF Playhouse brings Yasmina Reza’s brilliant, blistering, Tony Award-winning play ‘Art’ right to you

Olivia Popp
  •  
Nov. 17, 2020
Arts & Life
A still from “Ahead of the Curve.” (Photo: Ahead of the Curve)

Frameline44, part 4: History tells all

Olivia Popp
  •  
Nov. 12, 2020
Screen
Chang-rae’s mother (Jackie Chung) and Chang-rae (Justin Chon) consider their relationship in Wayne Wang’s “Coming Home Again.” (Photo: Outsider Pictures)

‘Coming Home Again’ is a subtle tribute to Asian American intergenerational grief and communication

Olivia Popp
  •  
Nov. 9, 2020
Arts & Life
two women stand holding a little girl between them

Frameline44, part 3: Family dynamics

Olivia Popp
  •  
Oct. 29, 2020
Arts & Life
three young adults lean together with their eyes closed

Frameline44, part 2: Coming-of-age tales

Olivia Popp
  •  
Oct. 25, 2020
Arts & Life
A still from “No Hard Feelings.” (Courtesy of M-Appeal)

Frameline 44, part 1: A festival at your fingertips

Olivia Popp
  •  
Sept. 22, 2020
Arts & Life

Sundance 2020, part 3: What we’re eagerly awaiting

Olivia Popp
  •  
Aug. 29, 2020
Arts & Life
'The Claudia Kishi Club' is a documentary short about the cultural impact of the iconic 'Baby-Sitters Club' character Claudia Kishi and the importance of Asian American representation in movies and television.(Photo: Netflix)

Shorts at Home: ‘We are who we are’

Olivia Popp
  •  
July 12, 2020
Arts & Life
Sarah Blackman as the titular character in Justin Miller’s “Peggy.” (Photo: Justin Miller)

Shorts at Home: ‘We are always performing’

Olivia Popp
  •  
April 24, 2020
Arts & Life
Constantin Vidal, Gaspard Meier-Chaurand and Juliette Bettencourt in Julien Trauman’s “À l’aube” (“At Dawn”). (Photo: Insolence Productions)

Shorts at Home: ‘I wish I could do something’

Olivia Popp
  •  
April 21, 2020
Arts & Life
Cristin Milioti and Andy Samberg star in “Palm Springs.” (Photo courtesy of Sundance Institute)

Sundance 2020, part 2: Sci-fi absurdity takes center stage with ‘Palm Springs,’ ‘Save Yourselves!’

Olivia Popp
  •  
Feb. 7, 2020
Arts & Life
Courtesy of Entertainment One

Filmfest Hamburg, part 3: Keira Knightley thriller ‘Official Secrets’

Olivia Popp
  •  
Nov. 20, 2019
Arts & Life

Filmfest Hamburg, part 2: The joyous ‘Wild Rose’

Olivia Popp
  •  
Nov. 18, 2019
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