Monday, June 5th, 2023
Log in
Logo
Subscribe to Digest
Donate

Film

Screen

20/20 Vision: How racism undermines the technical achievement of ‘The Jazz Singer’ (1927)

Anthony Martinez Rosales
  •  
April 27
Screen
Pictured: Stanford Film Society (Cameron Lange (left), Isabelle Cashe (Middle), Adrian Feinberg (Right))

Stanford Film Society is back — and has big plans

Lauren Boles
  •  
Feb. 12
Screen

“Top Gun: Maverick” keeps the ’80s nostalgia and exceeds the original

Sonia Verma
  •  
Aug. 22
Arts & Life
Chris Pratt holds his hand up to a dinosaur.

“Jurassic World: Dominion” fails to dominate expectations as trilogy finale

Sophie Mo
  •  
Aug. 16
Film
A girl {Belly) standing outside, in front of her car, smiling

“The Summer I Turned Pretty” successfully balances cliché with complexity as a new summer-escape show

Carolyn Mish
  •  
Aug. 14
Film
Anne Elliot (Dakota Johnson) embraces Captain Frederick Wentworth (Cosmo Jarvis) in the offical release poster for Persuasion

Persuasion is an odd mixture of 19th-century romance with an off-putting ‘Gen Z’ tone

Aslıhan Alp
  •  
Aug. 5
Film
Five student panelists speak to a crowd in a small movie theater

Golden Spike Studio’s student films tackle break-ups, Jenga and filming in cars

Yastika Guru
  •  
Feb. 15, 2022
Film

Seven romantic comedies to match your Valentine’s Day mood

Malia Mendez
  •  
Feb. 13, 2022
Arts & Life
Cover art for 'Imagine a Body'

Q&A: Filmmaker Connor O’Keefe MFA ’22 to premiere revolutionary short film with The New Yorker

Kathlynn Yao
  •  
Jan. 24, 2022
Film
Stars Haim and Hoffman sit in a truck.

‘Licorice pizza’ is crop-full of charm but spotlights problematic relationships

Malia Mendez
  •  
Jan. 9, 2022
Screen
A black and white photo of four people sitting around a table with a waiter serving them and a cook looking on from afar in the kitchen

‘The French Dispatch’ is off-puttingly experimental, even for Wes Anderson

Edwin Amaya
  •  
Dec. 2, 2021
Screen

Screening of Nefise Özkal Lorentzen’s documentary calls for a revolution in our perception of Islam

Leyla Yilmaz
  •  
Nov. 14, 2021
Screen
The members of Golden Spike Studio stand in the front as they introduce their film to the audience.

Golden Spike Studios’ sold-out debut screening reveals the labor of love in student film production

Malia Mendez
  •  
Oct. 31, 2021
Film
Filmmaker Kevin Jerome Everson stands in front of a projector

Dedicated to democracy: Filmmaker Kevin Jerome Everson discusses documentary ‘Tonsler Park’

Lena McEachern
  •  
Oct. 24, 2021
Screen
Daniel Craig as James Bond pointing a gun

‘No Time to Die’ features a flat, unfamiliar James Bond

Mark Huerta
  •  
Oct. 19, 2021
Film
Portrait photo of Carlos Valladares

Q&A: Film Critic Carlos Valladares ’18 discusses the Stanford Theatre, A24 and the plight of Marvel

Nadia Jo
  •  
Sept. 19, 2021
Film
Christopher Nolan writes on a wall in chalk.

The genius of filmmaking: Christopher Nolan’s 11 movies, ranked

Aslıhan Alp
  •  
Aug. 24, 2021
Film
The Tomorrow War poster

‘The Tomorrow War’ presents exciting, timely battle between humans and aliens

Peter Pu
  •  
Aug. 22, 2021
Arts & Life
Six Disney princesses

From Snow White to Moana: The Evolution of Disney Princesses

Aslıhan Alp
  •  
Aug. 12, 2021
Arts & Life
The poster for the film depicts an axe, a knife and a pitchfork.

‘Fear Street Part One’ review: Cursed towns, undead murderers make for a killer combo

Sarah Mojica Arango
  •  
Aug. 11, 2021
The Stanford Daily

Login or create an account