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Wednesday, March 18th, 2026
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Arts & Life
Culture
Green Library exhibit celebrates artwork from library staff
Audrey Chang
•
March 9, 2025
Culture
Traveler, Your (Digital) Footprints: Savant Vibes
Chuer Yang
•
March 9, 2025
Music
‘El Mal:’ A surprising win at the 97th Oscars
Madisyn Cunningham
•
March 9, 2025
Reads
Composition and decomposition: DLCL’s symposium dissects poetry and poetics
Kayla Chan
•
March 6, 2025
Screen
Second Take: ‘Milk’ highlights gay hope and humanity
Sebastian Strawser
•
March 6, 2025
Culture
The Nostalgia Trap: Why we keep falling for reboots
Vasu Agarwal
•
March 5, 2025
Music
Farm fresh jazz (notes from a saxophonist): SJO recap and SALJE preview
Penelope Keep
•
March 5, 2025
Culture
Intro to Museum Practice transports visitors to West Mexico in De La Tierra exhibition
Charlotte Burks
•
March 4, 2025
Reads
‘Deep End’: Ali Hazelwood’s newest novel portrays friendship and love at Stanford
Emma Muller
•
March 4, 2025
Reads
Horvath and Juárez offer a Stegner Fellow Reading ‘like no other’
Cate Burtner
•
March 3, 2025
Screen
‘Arcane’ season 2: A new era of adult animation
Sara Alanis Morales
•
March 3, 2025
Screen
‘Rear Window’ exemplifies a brilliantly crafted thriller
Mason Barrett
•
March 3, 2025
Culture
‘yellow roses, mãi mãi’ provides food for thought on Vietnamese American family dynamics
Dan Kubota
•
March 2, 2025
Music
Little Brother’s Music Recs: Slander and soundwaves
Audrey Hunter
•
Feb. 27, 2025
Culture
Dancing the night away at the 47th Annual Viennese Ball
Dan Kubota
•
Feb. 27, 2025
Reads
Rage on the Page: ‘Soft Core’ by Brittany Newell, a fever dream of longing and loss
Melisa Ezgi Guleryuz
•
Feb. 26, 2025
Music
Beandon’s Musical Corner: Top 10 Albums of 2024
Brandon Rupp
•
Feb. 26, 2025
Culture
Stanford in the Media: Gabriella Montez and High School Musical 3
Emma Muller
•
Feb. 26, 2025
Culture
‘The Future of Everything’ podcast makes science more relatable
Catherine Wu
•
Feb. 25, 2025
Culture
Death of the Masterpiece: Bury your Shakespeare
Istaara Amjad
•
Feb. 24, 2025
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