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The hyper-connected brilliance of Sidney Gish’s ‘No Dogs Allowed’

Jacob Kuppermann
  •  
Feb. 22, 2018
Jay Som at the Green Music Fest in Chicago, July 11, 2017. (PAUL K/Flickr)

Introspection, empathy and bedroom pop: Jay Som in concert

Paulina Campos
  •  
Oct. 26, 2017
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From Bandcamp to Matador: Car Seat Headrest’s cathartic ‘Teens of Denial’

Tyler Dunston
  •  
May 30, 2016
The Stanford Daily

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