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horror

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“Drop” is an entertaining watch that strikes a healthy balance between dread and humor, writes Cunningham. (Graphic: DA-HEE KIM/The Stanford Daily)

Universal Pictures starts the year in thrilling fashion with ‘Drop’

Madisyn Cunningham
  •  
April 13
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A toy monkey is smiling eerily in the shadows.

The Monkey Review: Horror, humor and the drumbeat of doom

Zora Hudson
  •  
April 2
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A woman stands at a window with the shadow of a hand on her face and "Nosferatu" written as text.

‘Nosferatu’ (2024) marries the beautiful and the grotesque

Cate Burtner
  •  
Jan. 28
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Two hands hold open a book with the words "Rage on the Page" sprawled in it in black and red.

Rage on the Page: The howl of ‘Nightbitch’ the film barely echoes the novel

Melisa Ezgi Guleryuz
  •  
Jan. 23
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A man stands with a paint bucket in a long hallway corridor.

Students paint a chilling narrative of EVGR in horror film

Eric Wang
  •  
Dec. 1
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"Talk Horror To Me" is written in bloody letters on a wall.

Talk Horror to Me: Meet ‘Abigail,’ the first pirouetting vampire

Emma Kexin Wang
  •  
Nov. 7
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"Talk Horror To Me" is written in bloody letters on a wall.

Talk Horror to Me: ‘The Substance’ is all form with little substance

Emma Kexin Wang
  •  
Oct. 17
Reads
Author Carmen Maria Machado stands behind a lectern gesturing as though she's addressing the audience.

The beautiful and the terrible: Carmen Maria Machado reads queer horror and sci-fi

Cate Burtner
  •  
May 8, 2024
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Graphic of TV screen with four people standing with worried faces. Sitting in front of TV is a person with grey hair and an orange cat on their chair.

Delicate Sensibilities: ‘Bodies Bodies Bodies’ is remarkably Gen-Z fluent 

Julia Donlon
  •  
March 13, 2024
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A graphic of a man riding a horse. The text in the foreground says "Talk Horror to Me" and "Nope."

Talk Horror to Me: Documenting trauma in ‘Nope’ (2022)

Emma Kexin Wang
  •  
Feb. 12, 2024
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A film roll graphic with "Talk horror to me" written in black text.

Talk Horror to Me: Familial issues and disorienting narratives in ‘Beau Is Afraid’

Emma Kexin Wang
  •  
Nov. 13, 2023
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The photo of a hand in the dark, with the text "Talk Horror to me" written in the foreground.

Talk Horror to Me: Misdirected forms of human connections in ‘Talk to Me’

Emma Kexin Wang
  •  
Nov. 8, 2023
Reads
A drawing of a smiling ghost holds a book, "spooky books" is written above the ghost's head

The Daily’s recommended reads for spooky season

Leyla Yilmaz, Emma Kexin Wang, Hana Dao, Amistad Vanegas and Cate Burtner
  •  
Oct. 29, 2023
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Outline of characters from "Knock at the Cabin," with the text of the title overlaying the images.

M. Night Shyamalan’s latest twist? Making bad movies

Kirsten Mettler
  •  
March 1, 2023
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Against a tan background there is a graphic of a TV on the left and the caption, "what to watch WEEK 2" on the right. Inside the TV is a picture of the protagonist in the horror comedy "Spree."

Horror comedies more frightening than the return to campus after break

Amelia Butala
  •  
Jan. 20, 2023
Reads
Over a faint backdrop of open books, the text: "lately in LITERATURE with Leyla Yilmaz." "Literature" is stylized in multiple fonts over red, green, and pink rectangles, as in a collage made from magazines.

Lately in Literature: ‘Can women kill?’ asks Eliza Clark in debut novel, ‘Boy Parts’

Leyla Yilmaz
  •  
Oct. 11, 2022
Arts & Life
illustrated figure lying down reading book with scary red eyes in the background behind them

Celebrating Halloween with “Carmilla,” blurring lines between the rational and the supernatural

Fyza Parviz Jazra
  •  
Oct. 27, 2021
The Grind
Photo: Unsplash

My American horror story: How I became haunted

Jen Ehrlich
  •  
Oct. 28, 2020
Arts & Life
“P.T.” unfolds in a series of puzzles, some obtuse, others clever, each nightmare-inducing. (Photo: Konami)

‘P.T.’: A chilling gaming experience

Noah Howard
  •  
Feb. 5, 2020
Arts & Life
Cho Yeo-jeong as the wealthy matriarch in Bong Joon-ho's "Parasite." (Courtesy of NEON)

‘Parasite’ will have you buzzing to the #Bonghive

Olivia Popp
  •  
Sept. 17, 2019
The Stanford Daily

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