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Comedy
Q&A: Hasan Minhaj talks activist art, comedy and getting the audience to listen
Alli Cruz
,
Olivia Popp
and
Samantha Wong
•
April 23, 2018
Hasan Minhaj: Americans don’t need to worry about terrorism from refugees
Mini Racker
•
April 23, 2018
Sundance 2018, part 5: Cinematic duds
Olivia Popp
•
Feb. 8, 2018
Margaret Cho’s ‘Fresh Off the Bloat’ champions diversity in the age of Trump
Olivia Popp
•
Oct. 23, 2017
The U.K.’s ‘The Office’ champions caustic cringe comedy
Olivia Popp
•
Oct. 20, 2017
Comedian Demetri Martin makes laughs but fails to impress on tour
Elizabeth Gerson
•
Oct. 1, 2017
‘The Good Place’ brings representation and genius-level comedy to the small screen
Olivia Popp
•
Aug. 4, 2017
Season five of ‘Orange is the New Black’ is a messy yet beautiful riot
Olivia Popp
•
July 27, 2017
Issa Rae’s acclaimed series ‘Insecure’ is back for season two, and it’s ‘hella great’
Olivia Popp
•
July 21, 2017
Matt Walsh dishes on improv, the uncanny satire of ‘Veep’ and running into Lou Reed
Olivia Popp
•
June 9, 2017
Living while funny: an appreciation of Tina Fey and Amy Poehler
Olivia Popp
•
June 4, 2017
Josh Brener of ‘Silicon Valley’ talks comedy writing and the ‘Rude Boys on the Lot’
Olivia Popp
•
May 30, 2017
Getting raw and real with the season two finale of ‘Crazy Ex-Girlfriend’
Olivia Popp
•
May 15, 2017
Love and hamsters: ‘Breeders’ explores the definition of family
Alessandro R.L. Hall
•
April 16, 2017
‘Silence! The Musical’ brings raucous fun to San Francisco
Olivia Popp
•
April 11, 2017
‘One Day at a Time’? More like ‘immediately watch it all at once’
Olivia Popp
•
April 4, 2017
‘The Boss Baby’ makes a mess in the theater
Olivia Popp
•
March 25, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
•
March 3, 2017
Interview: ‘Daily Show’ correspondents talk about good satire during Election 2016
Olivia Popp
•
Oct. 31, 2016
Film review: On the aptly-titled “Absolutely Fabulous”
Jessica Xing
•
July 31, 2016
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