Tuesday, November 5th, 2024

Comedy

Q&A: Hasan Minhaj talks activist art, comedy and getting the audience to listen

Alli Cruz, Olivia Popp and Samantha Wong

•

April 23, 2018

Hasan Minhaj: Americans don’t need to worry about terrorism from refugees

•

April 23, 2018

Sundance 2018, part 5: Cinematic duds

•

Feb. 8, 2018

Margaret Cho’s ‘Fresh Off the Bloat’ champions diversity in the age of Trump

•

Oct. 23, 2017

The U.K.’s ‘The Office’ champions caustic cringe comedy

•

Oct. 20, 2017

Comedian Demetri Martin makes laughs but fails to impress on tour

Elizabeth Gerson

•

Oct. 1, 2017

‘The Good Place’ brings representation and genius-level comedy to the small screen

•

Aug. 4, 2017

Season five of ‘Orange is the New Black’ is a messy yet beautiful riot

•

July 27, 2017

Issa Rae’s acclaimed series ‘Insecure’ is back for season two, and it’s ‘hella great’

•

July 21, 2017

Matt Walsh dishes on improv, the uncanny satire of ‘Veep’ and running into Lou Reed

•

June 9, 2017

Living while funny: an appreciation of Tina Fey and Amy Poehler

•

June 4, 2017

Josh Brener of ‘Silicon Valley’ talks comedy writing and the ‘Rude Boys on the Lot’

•

May 30, 2017

Getting raw and real with the season two finale of ‘Crazy Ex-Girlfriend’

•

May 15, 2017

Love and hamsters: ‘Breeders’ explores the definition of family

Alessandro R.L. Hall

•

April 16, 2017

‘Silence! The Musical’ brings raucous fun to San Francisco

•

April 11, 2017

‘One Day at a Time’? More like ‘immediately watch it all at once’

•

April 4, 2017

‘The Boss Baby’ makes a mess in the theater

•

March 25, 2017

TAPS’s ‘The Tempest’ conjures a storm of originality and wit

•

March 3, 2017

Interview: ‘Daily Show’ correspondents talk about good satire during Election 2016

•

Oct. 31, 2016

Film review: On the aptly-titled “Absolutely Fabulous”

•

July 31, 2016