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Critic’s Pick
Introspection, empathy and bedroom pop: Jay Som in concert
Paulina Campos
•
Oct. 26, 2017
Andrew Bird lights up Bing with graceful melodies guaranteed to warm your soul
Olivia Popp
•
Oct. 25, 2017
Xandra Ibarra’s ‘Nude Laughing’ is much more than a few giggles
Mell Chhoy
•
Oct. 25, 2017
Harry Gamboa Jr.’s performance art is impactful as ever in ‘Vital Signs’
Natalie Sada
•
Oct. 24, 2017
On the impossibility of separating art from artist
Jacob Kuppermann
•
Oct. 21, 2017
Arts & Life
‘Slingshot’ will shoot its way into your geeky heart
Olivia Popp
•
Oct. 21, 2017
Down the rabbit hole of Nina Katchadourian’s ‘Curiouser’
Zecheng Wang
•
Oct. 19, 2017
‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity
Julia Gordon
•
Oct. 18, 2017
Cracking open Andy Weir’s ‘The Egg’
Shana E. Hadi
•
Oct. 17, 2017
Spencer Finch’s ‘Betelgeuse’ inspires childlike awe
Angelica Jopling
•
Oct. 16, 2017
Arts & Life
Jazz is hard and life is easy with Mads Tolling & The Mads Men: ‘Playing the 60s’
Olivia Popp
•
Oct. 11, 2017
Christopher Chen’s ‘A Tale of Autumn’ contorts reality and perception
Olivia Popp
•
Oct. 9, 2017
OSF pt. 3: Jiehae Park’s masterful ‘Hannah and the Dread Gazebo’ tackles a multifaceted Korean American experience
Olivia Popp
•
Sept. 25, 2017
Lorde’s ‘Melodrama’ is the most interesting album of the summer
Jacob Kuppermann
•
Aug. 15, 2017
OSF pt. 2: ‘Disney’s Beauty and the Beast’ is an enchanting classic
Olivia Popp
•
Aug. 14, 2017
OSF pt. 1: Shaking up Shakespeare with ‘Henry IV, Part 1’ and ‘Julius Caesar’
Olivia Popp
•
Aug. 10, 2017
Charlize Theron shines as an ‘Atomic Blonde’ in new action spy thriller
Evie Sun
•
Aug. 9, 2017
‘The Good Place’ brings representation and genius-level comedy to the small screen
Olivia Popp
•
Aug. 4, 2017
Issa Rae’s acclaimed series ‘Insecure’ is back for season two, and it’s ‘hella great’
Olivia Popp
•
July 21, 2017
‘Sgt. Pepper’s Lonely Hearts Club Band’: Reflections on a Beatles opus, 50 years on
Carlos Valladares
•
June 6, 2017
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