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Critic’s Pick
A dream affirmed: CONNIE.K drops ‘Daylight Savings’
Benjamin Sorensen
  •  
Oct. 22, 2015
Emotional noise: Wolf Alice shreds in San Francisco
Clare Flanagan
  •  
Oct. 20, 2015
Little Simz crowns herself king
Tyler Dunston
  •  
Oct. 19, 2015
The elusive Frank Ocean
Tess Michaelson
  •  
Oct. 18, 2015
Behind the scenes with the Stanford Concert Network
Joshua Seawell
  •  
Oct. 16, 2015
Majical Cloudz’s new record is not ‘study music’
Tyler Dunston
  •  
Oct. 15, 2015
Film review: ‘Steve Jobs’ weaves excellent tale of fatherhood, redemption
Will Ferrer
  •  
Oct. 15, 2015
Postscript: Post Malone at Fallout
Benjamin Sorensen
  •  
Oct. 12, 2015
Television review: The CW’s ‘Crazy Ex-Girlfriend’ shows promise
Will Ferrer
  •  
Oct. 12, 2015
Television review: Second season of ‘Jane the Virgin’ goes for broke
Bella Levaggi
  •  
Oct. 12, 2015
Television review: ‘Fargo’ season two is bloody brilliant
Ryan Holmdahl
  •  
Oct. 12, 2015
Television review: Jason Reitman’s Hulu series is ‘Casual’ly wonderful
Will Ferrer
  •  
Oct. 9, 2015
A new, anxious Americana in Halsey’s debut
Joshua Seawell
  •  
Oct. 6, 2015
Film review: ‘The Walk’ dares to dream big
Raymond Maspons
  •  
Oct. 2, 2015
Complex playing made beautifully simple: Julian Lage at the Rex
Benjamin Sorensen
  •  
Oct. 1, 2015
Enter the haze of Kurt Vile’s newest record
Tyler Dunston
  •  
Sept. 29, 2015
Disclosure’s latest: A darker shade of house
Clare Flanagan
  •  
Sept. 28, 2015
Film review: ‘The End of the Tour’ mines depths of human psyche
Shannon O'Hara
  •  
Aug. 6, 2015
Film review: Fuqua’s ‘Southpaw’ packs a punch
Shannon O'Hara
  •  
July 23, 2015
NBC’s hidden gem ‘Welcome to Sweden’ returns for sharp second season
Lea Sparkman
  •  
July 19, 2015
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