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Culture
L. Song Wu’s ‘Gleaming Things’ is a provocative study of the fictional and self
Alexandra Blum
•
Nov. 10, 2022
Culture
BLACKstage is back to promoting accessible and representative theater
Cameron Duran
•
Nov. 9, 2022
Culture
Atsuko Okatsuka brings first comedy special “The Intruder” to Bing
Ellie Wong
•
Nov. 6, 2022
Culture
Robert Mapplethorpe: Images and the limits of sexual imagination
Lydia Wei
•
Nov. 6, 2022
Culture
‘It’s not a frill’: Prop. 28 and arts education funding
Kirsten Mettler
•
Nov. 3, 2022
Culture
“Bread + Medicine”: Hoover exhibit displays American relief during the 1921 Soviet famine
Serena Lee
•
Nov. 3, 2022
Culture
How the experimental production of ‘Three Days’ championed queerness and community
Hazel Le
•
Nov. 2, 2022
Culture
How Cathy Park Hong and Jen Liu’s friendship influenced their art-making
Betty He
•
Nov. 1, 2022
Culture
Why Not Theatre’s ‘Prince Hamlet’ revolutionizes accessibility and gender identity in performing arts
Ellie Wong
•
Oct. 30, 2022
Culture
Your art world questions answered: What are art fairs and art biennials?
Christina Shen
•
Oct. 30, 2022
Culture
Q&A: Casa Zapata staff share insights on ethnic identity and need for more financial investment
Ximena Sanchez Martinez
•
Oct. 25, 2022
Arts & Life
Pulitzer Prize-winning playwright Tony Kushner talks antisemitism at Stanford, 2005 film ‘Munich’
Lauren Boles
•
Oct. 23, 2022
Culture
“Beyond the Camps”: Bay Area artists discuss art and WWII Japanese internment
Shreya Komar
•
Oct. 23, 2022
Arts & Life
The farm on the Farm: Stanford Roots talks food justice and sustainability
Serena Lee
•
Oct. 17, 2022
Arts & Life
Why does Stanford have so many Rodins?
Christina Shen
•
Oct. 16, 2022
Arts & Life
‘Lead With Love’: Women of the Black Panther Party visit Stanford Libraries’ JEDI fair
Ananya Navale
•
Oct. 12, 2022
Arts & Life
Down with Gravity: A day with Stanford’s juggling club
Cameron Duran
•
Oct. 10, 2022
Arts & Life
Laughing with Lara: The jokes are in the details
Kirsten Mettler
•
Oct. 10, 2022
Arts & Life
Nut allergy ballad thrills audience at Stanford Improvisors performance
Shreya Komar
•
Oct. 9, 2022
Arts & Life
Last days of summer: The photography of ‘PaJaMa’
Lydia Wei
•
Oct. 9, 2022
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