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Arts & Life
Sundance 2019, part 1: Quirky and boundary-breaking films
Olivia Popp
•
Feb. 5, 2019
‘Avenue Q’ brings laughs to the Bay Area
Olivia Popp
•
Feb. 4, 2019
A masterful interplay of music and acting in ‘A Little Night Music’
Natalie Francis
•
Feb. 1, 2019
Curators Alex Fialho and Melissa Levin on rediscovering Michael Richards’ work
Amir Abou-Jaoude
•
Jan. 31, 2019
SF Sketchfest brings great comedy to the Bay
Olivia Popp
•
Jan. 28, 2019
Performed live, Tony Award-winning musical ‘Dear Evan Hansen’ is a complete artistic disappointment
Olivia Popp
•
Jan. 25, 2019
SF Playhouse’s ‘Mary Poppins’ is ‘practically perfect’
Olivia Popp
•
Jan. 22, 2019
MINT Magazine, fall 2018 — reviewed
Chasity Hale
•
Jan. 11, 2019
Salt and Straw brings tasty scoops to Palo Alto
Blake Sharp
•
Dec. 12, 2018
Geffen Playhouse’s ‘A Christmas Carol’ shines with a solo holiday performance
Olivia Popp
•
Dec. 7, 2018
Interfaith unity celebrated at Diwali festivities
Lindsay Chong
•
Dec. 5, 2018
Gish Jen challenges cultural identities at Lane Lecture Series
Angela Yang
•
Nov. 27, 2018
A disability community center and what Stanford could be
Chasity Hale
•
Nov. 26, 2018
Touring production of ‘Chicago’ razzles and dazzles
Olivia Popp
•
Nov. 17, 2018
Gaieties 2018 is an enchanting testament to individualism and community
Chloe Wintersteen
•
Nov. 15, 2018
Composers capture the spirit of ‘Gaieties 2018’
Natalie Francis
•
Nov. 14, 2018
Meade, Segerman and Mitton marvel at the magical mind
Chloe Barreau
•
Nov. 14, 2018
Literary bites
Shana E. Hadi
•
Nov. 13, 2018
‘Crazy Rich Asians’ screenwriter, VR leaders unite at second annual Confluence Summit
Olivia Popp
•
Nov. 9, 2018
Elect to revisit these artworks on election night
Olivia Popp
,
Amir Abou-Jaoude
and
Shana E. Hadi
•
Nov. 6, 2018
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