On May 19, 2021, the Stanford Philharmonia performed its first in-person concert in 14 months, drawing hundreds of students and faculty to Meyer Green.

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“Build a Problem” defines obscure sorrows with a quiet but powerful voice, speaking deeply to Dodie’s personal experience and her profound musical talent.

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Most of all, this article is a celebration: We want to express admiration for artists who have touched the lives of countless listeners through their songs.

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World-renowned violinist Itzhak Perlman spoke to the students of Stanford Symphony Orchestra Online (MUSIC 151D) on Nov. 17.

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Collier, often described as a modern Mozart, has given an early Christmas present to harmony fanatics and seasonal music lovers alike.

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This is the movie that cemented rage zombies into our cultural lexicon, pivoting away from slow-shambling creeps and instead leaning into a fast-paced terror the whole way through. It’s a master of the spook that you can see a long time coming — and yet are still shocked by. “28 Days” merely uses the creepiness of its zombies as a backdrop as it delves into the horrors of our own humanity, lending us a long-lasting feeling of deep uneasiness.

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Like many others, Reid Devereaux ’25 deferred his enrollment at Stanford for the 2020-21 academic year. But Devereaux is staying busy with what he loves: recording and producing music.

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“Return to Haydn” is more than just a performance. The documentary, directed and produced by Jamie Meltzer, is as much cinema as it is music.

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