Julia Rose Segal '25 talks releasing a debut EP, her frequent musical collaborators and her nonprofit QuaranTunes.

•

On May 19, 2021, the Stanford Philharmonia performed its first in-person concert in 14 months, drawing hundreds of students and faculty to Meyer Green.

•

“Build a Problem” defines obscure sorrows with a quiet but powerful voice, speaking deeply to Dodie’s personal experience and her profound musical talent.

•

Most of all, this article is a celebration: We want to express admiration for artists who have touched the lives of countless listeners through their songs.

•

World-renowned violinist Itzhak Perlman spoke to the students of Stanford Symphony Orchestra Online (MUSIC 151D) on Nov. 17.

•

Collier, often described as a modern Mozart, has given an early Christmas present to harmony fanatics and seasonal music lovers alike.

•

This is the movie that cemented rage zombies into our cultural lexicon, pivoting away from slow-shambling creeps and instead leaning into a fast-paced terror the whole way through. It’s a master of the spook that you can see a long time coming — and yet are still shocked by. “28 Days” merely uses the creepiness of its zombies as a backdrop as it delves into the horrors of our own humanity, lending us a long-lasting feeling of deep uneasiness.

•

Like many others, Reid Devereaux ’25 deferred his enrollment at Stanford for the 2020-21 academic year. But Devereaux is staying busy with what he loves: recording and producing music.

•

“Return to Haydn” is more than just a performance. The documentary, directed and produced by Jamie Meltzer, is as much cinema as it is music.

•