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Dancing for an excellent cause
Chasity Hale
•
Feb. 22, 2018
An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists
Olivia Popp
•
Feb. 13, 2018
February’s Stegner Reading: The millennial brilliance of Richie Hofmann and Darri Farr
Claire Thompson
•
Feb. 13, 2018
‘The Last Five Years’: A gorgeously staged musical about falling in and out of love
Chasity Hale
•
Feb. 12, 2018
Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films
Olivia Popp
•
Feb. 9, 2018
Sundance 2018, part 4: Exploring the nontraditional
Olivia Popp
•
Feb. 5, 2018
Sundance 2018, part 3: The Festival’s darkest films, reviewed
Olivia Popp
•
Feb. 3, 2018
Sundance 2018, part 2: Valladares’ take on ‘Hale County,’ ‘You Were Never Really Here,’ ‘Leave No Trace’
Carlos Valladares
•
Jan. 31, 2018
The 2018 Sundance Film Festival, part 1
Sabrina Medler
•
Jan. 30, 2018
Sharing Culture, Sharing Strength: a benefit show by Cardinal Calypso, Stanford Talisman and Catch-a-Fyah
Claire Thompson
•
Jan. 23, 2018
The Original Winter One Acts 2018 beautifully ponders the human condition
Mell Chhoy
•
Jan. 22, 2018
Breaking Ground: a Harry Potter dance delight
Mell Chhoy
•
Jan. 8, 2018
Stanford Theater Lab’s ‘Angels in America, pt. 1’ sparkles with heavenly life
Lora Supandi
•
Dec. 9, 2017
Comedy’s controversial hero T.J. Miller delights audiences at Dinkelspiel
Olivia Popp
•
Dec. 9, 2017
The future of food: Impossible Foods’ meat alternatives
Claire Thompson
•
Dec. 4, 2017
Stegner Fellows Graham Barnhart and Yoon Choi share memory in poetry and prose
Claire Thompson
•
Nov. 29, 2017
teamLab challenges our experience of art
Chloe Barreau
•
Nov. 28, 2017
‘A Brimful of Asha’ gives us a taste of uber-relatable culture clash
Olivia Popp
•
Nov. 27, 2017
Bridging tech and entertainment at Winston Baker’s Confluence Summit
Olivia Popp
•
Nov. 27, 2017
The 2017 rendition of ‘Gaieties’ lives up to the hype
Mell Chhoy
•
Nov. 22, 2017
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