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Arts & Life

Culture
Photo taken of "Maternal Caress" which paints a tender moment between a woman and a young child set against a natural green background.

Between the known and the unknown: Exploring Mary Cassatt’s world at the Legion of Honor

Vivian Liang
  •  
Nov. 6, 2024
Reads
A tutor and a young kid are reading a book together.

Ravenswood Reads centers relationships in its support of local literacy

Kayla Chan
  •  
Nov. 6, 2024
Screen
The movie character Venom sticks his tongue out with the word "Review" next to him.

‘Venom: The Last Dance’ lands its finale

Anthony Martinez Rosales
  •  
Nov. 5, 2024
Screen
Three South Asian people stand in the middle of a crowd, with the text "In Focus" across the bottom of the image.

In Focus: ‘Kumbalangi Nights’ redefines brotherhood and manhood

Srithanya Satish
  •  
Nov. 5, 2024
Culture
Group photo of the members of Stanford Wushu Club posing with a bear statue.

Stanford Wushu Club soars to prominence

Grace Zhao
  •  
Nov. 5, 2024
Culture
An array of Mediterranean food, Turkish pizza, a variety of appetizers and a plate of meat.

Hummus Mediterranean Kitchen cooks up bold flavors and thoughtful craftsmanship

Sonnet Xu
  •  
Nov. 5, 2024
Screen
A graphic of a person holding a camera pointed at the viewer.

How About Now: ‘Sullivan’s Travels’ spotlights social inequality in America

Mason Barrett
  •  
Nov. 4, 2024
Screen
A man and a woman hug each other, with the text "We Live in Time" next to them.

In love but out of time: Florence Pugh and Andrew Garfield’s acting pulls at heartstrings

Leki Albright
  •  
Nov. 4, 2024
Music
Multiple generations of Counterpoint members pose for a group photo.

Counterpoint celebrates 45th anniversary

Catherine Wu
  •  
Nov. 4, 2024
Reads
A book is open and inside reads 'Rage on the Page.'

Rage on the Page: ‘My Year of Rest and Relaxation’ foregrounds the seductive appeal of oblivion

Melisa Ezgi Guleryuz
  •  
Nov. 3, 2024
Music
A vinyl with the title of column, "Pulse," and a drawing of two women about to kiss on it

Pulse: Syd explores love and heartbreak in ‘Broken Hearts Club’

Madisyn Cunningham
  •  
Nov. 3, 2024
Music
members of The Stanford Symphony Orchestra and Wind Symphony stand on stage wearing bright orange construction vests amongst other costumes

Stanford symphony ensembles enchant at annual Halloween concert

Wesley Zhao
  •  
Nov. 3, 2024
Screen
A person sits in a movie theater with the text "The Shining" on the screen.

This Halloween, scare your friends with a classic, ‘The Shining’

Ellaheh Gohari
  •  
Oct. 31, 2024
Reads
Nichole Nomura (left) and Sarah Levine (right) pose before their talk,

Mapping the shifting canon: Stanford researchers use data to rethink English education

Ellen Yang
  •  
Oct. 31, 2024
Screen
A person sits in a movie theater with the text "I watched 40 movies this summer...here are my five favorites" on the screen.

I watched 40 movies this summer. Here are my five favorites.

Ellaheh Gohari
  •  
Oct. 30, 2024
Music
Cartoon version of Brandon listens to music through headphones while seated on a bean bag in a corner of a purple-walled room with "Beandon's Musical Corner" written in the background. The window panel is the image of The D-Plan band.

Beandon’s Musical Corner: The Dismemberment Plan’s Travis Morrison on Chappell Roan, Sci-Fi and the Internet

Brandon Rupp
  •  
Oct. 29, 2024
Music
a digital drawing of a cassette tape

Made a mixtape, hope you like it: Elliott Smith

Amanda Altarejos
  •  
Oct. 29, 2024
Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘Woman of the Hour’ frames skepticism as a silent killer of women 

Blyss Cleveland
  •  
Oct. 29, 2024
Screen
Actresses Glenn Close and Amy Adams stand in front of a car with the text "Hillbilly Elegy" in front of them.

‘Hillbilly Elegy’ dissects J.D. Vance’s tenacity

Scarlett Gamble
  •  
Oct. 29, 2024
Culture
Group photo of the Street Meats trio, standing together and smiling in the Hamm kitchen

Student initiative Street Meat’s five-course meal signals a business evolution

Adam Golomb
  •  
Oct. 29, 2024
The Stanford Daily

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