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Arts & Life
Music
Try leaving the Spotify bubble sometimes
Aditeya Shukla
  •  
Jan. 12, 2023
Arts & Life
Why Amanda Seyfried won a Golden Globe for ‘The Dropout’
Peyton Lee
  •  
Jan. 11, 2023
Screen
Secrets of Shark Tank: Stanford students share their stories on the show
Elena Vasilache
  •  
Jan. 10, 2023
Arts & Life
Slept on Songs: almost monday
Aditeya Shukla
  •  
Jan. 9, 2023
Screen
A glorified nature documentary just isn’t enough: ‘Avatar: The Way of Water’
Nicole Tong
  •  
Jan. 8, 2023
Music
The top 25 hip-hop albums of 2022
Nick Sligh
  •  
Dec. 29, 2022
Screen
In Tumblr’s alternative canon, ‘The Social Network’ is a gay love story
Lydia Wei
  •  
Dec. 8, 2022
Music
Beandon’s Musical Corner: Five Fantastic Albums
Brandon Rupp
  •  
Dec. 8, 2022
Screen
“She Said” succeeds as a moving story about sexual assault while remaining sensitive to survivors
Cameron Duran
  •  
Dec. 8, 2022
Music
The Daily takes the aux: Fall 2022 music staff picks
Oriana Riley
,
Nick Sligh
,
Neil Rathi
,
Kelly Wang
,
Blyss Cleveland
,
Elena Vasilache
,
Nicole Tong
and
Sofia Gonzalez-Rodriguez
  •  
Dec. 7, 2022
Music
Victoria’s Vogue: Rihanna’s reign as the muse of fashion
Victoria Hsieh
  •  
Dec. 7, 2022
Screen
The State of Animation: Why do animated shows always have holiday specials?
Kristofer Nino
  •  
Dec. 7, 2022
Music
SSO Fall Concert takes audience to 20th-century history and back
Linda Liu
  •  
Dec. 6, 2022
Culture
‘Diego Rivera’s America’ is a testament to the power of activist art
Sebastian Hochman
and
Natalie Shtangrud
  •  
Dec. 6, 2022
Culture
TheatreWorks’ “Little Shop” highlights new horrors of gentrification in San Francisco’s Chinatown
Annie C. Reller
  •  
Dec. 6, 2022
Music
Ending on a high note: Emerson String Quartet’s final performance at Stanford
Aya Aziz
  •  
Dec. 5, 2022
Screen
Stanford Drag Troupe is never a drag
Isabella Saracco
  •  
Dec. 5, 2022
Music
What’s in a genre? Bassist Marcus Shelby questions what makes jazz, jazz
Sebastian Hochman
and
Natalie Shtangrud
  •  
Dec. 5, 2022
Culture
Breaking Ground: A smashing show of versatile performances
Annie C. Reller
  •  
Dec. 4, 2022
Culture
‘Everything Must Go’ illuminates both audience and company
Greta Reich
  •  
Dec. 4, 2022
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