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Pulse: Janelle Monáe explores Black queer sensuality in ‘The Age of Pleasure’
Madisyn Cunningham
•
Oct. 17, 2024
Screen
Talk Horror to Me: ‘The Substance’ is all form with little substance
Emma Kexin Wang
•
Oct. 17, 2024
Culture
Q&A: Michi Barall ’93 draws on her Stanford experience as her play ‘Drawing Lessons’ premieres
Charlotte Burks
•
Oct. 16, 2024
Reads
Why ‘Intermezzo’ is not actually Sally Rooney’s most mature novel
Leyla Yilmaz
•
Oct. 15, 2024
Reads
Peter Boxall ponders the possibilities of literature
Ellen Yang
•
Oct. 15, 2024
Culture
Hearts for the Arts: Flying Treehouse shares creative writing with local schools
Charlotte Burks
•
Oct. 15, 2024
Reads
Rage on the Page: ‘Nightbitch’ unleashes maternal rage
Melisa Ezgi Guleryuz
•
Oct. 15, 2024
Culture
Goodbye, ‘Hello,’ welcome, ‘Amulets’: Meet Meyer Green’s newest sculpture
Sara Alanis Morales
•
Oct. 14, 2024
Screen
‘Good’ Girlhood: 7 female-focused coming-of-age films
Blyss Cleveland
•
Oct. 14, 2024
Music
Made a mixtape, hope you like it: Nick Drake
Amanda Altarejos
•
Oct. 14, 2024
Reads
The real monster of ‘Frankenstein’ is brutal, and it’s not who you think
Cate Burtner
•
Oct. 14, 2024
Screen
Chronically Online: Stanford students reflect on college decision reaction videos
Chloe Shannon Wong
•
Oct. 13, 2024
Music
Whiskey and tea: A hot summer night of Clairo’s “Charm”
Ananya Navale
•
Oct. 13, 2024
Culture
Q&A: Mark Baugh-Sasaki brings art to habitat restoration
Adam Golomb
•
Oct. 10, 2024
Music
ODIE’s R&B magic welcomes students back to campus
Joanne dePierre
•
Oct. 8, 2024
Culture
Cheating, textbooks and politics: Roy Wood Jr. spotlights human interaction at ‘Comedy Live’
Charlotte Burks
•
Oct. 8, 2024
Culture
Stanford d.school party rocks with student art and design futures
Cate Burtner
•
Oct. 7, 2024
Reads
Tony Weaver Jr.’s ‘Weirdo’ ushers in the hero’s mental health journey
Sebastian Strawser
•
Oct. 6, 2024
Music
Out of this world: The Script’s ‘Satellites World Tour’ delivers dynamic optimism to Fox Theater
Ananya Navale
•
Oct. 3, 2024
Reads
In debut autobiography, Preston Perry’s heart for others jumps off the page
Estefany Mendoza Rodriguez
•
Oct. 3, 2024
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