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Art++: Diebenkorn/Cassavetes
Carlos Valladares
•
Feb. 27, 2018
‘The Lorax’ and the virtues of simplicity
Mark York
•
Feb. 23, 2018
Clickbait Philosophy: How to win friends and categorize people
Eliza Wells
•
Feb. 20, 2018
Shelf-indulgence: What professors are reading
Claire Francis
•
Feb. 20, 2018
The Split $ubject: Modern Thought and Literature between gender performativity and psychoanalysis, part 2
Joe Goodhew
•
Feb. 15, 2018
Art++: Mary’s Place
Ali Vaughan
•
Feb. 14, 2018
Clickbait Philosophy: What you DON’T KNOW about mid-century phenomenology can KILL YOU.
Sam Rogers
•
Feb. 13, 2018
Movie adaptations: Fraudulent or faithful?
Arts & Life Reads beat writers
•
Feb. 13, 2018
February’s Stegner Reading: The millennial brilliance of Richie Hofmann and Darri Farr
Claire Thompson
•
Feb. 13, 2018
Revisiting Siken
Maddie Kim
•
Feb. 11, 2018
The Split $ubject: Who’s your daddy, MTL? Between gender performativity and psychoanalysis
Joe Goodhew
•
Feb. 7, 2018
Clickbait Philosophy: Everything you thought you knew about ethics IS WRONG
Cameron Hubbard
•
Feb. 6, 2018
The ugly and the glorified: Fitzgerald in retrospect
Claire Francis
•
Feb. 6, 2018
Falling into an obsessive love with George Eliot
Scott Stevens
•
Feb. 1, 2018
Great writers, bad readers
Emma Heath
•
Jan. 31, 2018
Clickbait Philosophy: Navigating the path to free speech
Cameron Hubbard
•
Jan. 30, 2018
Language and identity in the Holy Land
Anat Peled
•
Jan. 29, 2018
Marked bodies and the popularity of literary tattoos
Gracie Newman
•
Jan. 23, 2018
Stanford Review 2.0 and ahistoricity
Ben Maldonado
•
Jan. 22, 2018
The joy of committing (to memory)
Scott Stevens
•
Jan. 17, 2018
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