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Spotlight

Courtesy of Focus Features

‘Brokeback Mountain’: More than 20 years later, the film and short story redefine queerness

Olivia Popp
  •  
May 4, 2018
OLIVIA POPP/The Stanford Daily

Third annual Silicon Valley Comic Con bridges technology and pop culture

Olivia Popp
  •  
April 30, 2018
The inaugural performance of Stanford's newest improvisational theater troupe, Unscripted Playhouse of Stanford. (OLIVIA POPP/The Stanford Daily)

A quick and dirty crash course to Stanford’s major art practice organizations

Olivia Popp
  •  
April 26, 2018
Tristan Frey (Joe Estlack) and Connie Hall (Ayelet Firstenberg) get to know one another in “The Effect” at San Francisco Playhouse. (Courtesy of Jessica Palopoli)

‘The Effect’ is an empathetic, contemporary cyberpunk exploration of love and science

Olivia Popp
  •  
April 24, 2018
Deborah Butterfield's "Horse." (Courtesy of Rocor)

Looking for space: children of the American West

Mac Taylor
  •  
April 23, 2018
Comedian Hasan Minhaj performs during the comedy show in celebration of the 75th anniversary of the USO and the 5th anniversary of Joining Forces at Joint Base Andrews in Washington, D.C. May 5, 2016. (EJ HERSOM/DoD News)

Q&A: Hasan Minhaj talks activist art, comedy and getting the audience to listen

Alli Cruz, Olivia Popp and Samantha Wong
  •  
April 23, 2018
A promo photo after the season three hiatus of "Supergirl." (Courtesy of The CW)

Three seasons in, The CW’s ‘Supergirl’ still doesn’t know what it wants

Olivia Popp
  •  
April 20, 2018
Courtesy of NASA

Earth in Color blends humanity and art into the environmental movement

Claire Miles
  •  
April 19, 2018
The in-game avatars of Trent (Devin O'Brien), Morwyn (Annemaria Rajala), Feldrick (Tyler McKenna), and Katja (Emily Radosevich). (Courtesy of Jessica Palopoli)

Game on: SF Playhouse’s ‘Non-Player Character’ fascinates in form, fails in function

Olivia Popp
  •  
April 16, 2018
Courtesy of Walt Disney Productions

The magic trick behind Disney’s adaptations

Mark York
  •  
April 15, 2018
"So Romantic" by Abigail Goldman. (CHLOE BARREAU/The Stanford Daily)

The haunting and the humorous: an exhibition of dioramas in Palo Alto

Chloe Barreau
  •  
April 11, 2018
killa bites

Killa Bites: The hunt for the perfect chocolate chip cookie on campus

Blake Sharp
  •  
April 8, 2018
(l-r) Sir Ralph Richardson, Dean Stockwell, Katharine Hepburn, and Jason Robards in the Sidney Lumet film of Eugene O'Neill's 'Long Day's Journey Into Night' (1962). Courtesy of Wikimedia Commons.

Recs from the Vault: swampy sounds, Eugene O’Neill and wild Wilder

Carlos Valladares
  •  
April 5, 2018
Arts & Life
Cinequest co-founder Kathleen Powell and Canadian actress Tatiana Maslany talk before a screening of Maslany's newest film, "Souls of Totality." (OLIVIA POPP/The Stanford Daily)

‘Orphan Black’ star Tatiana Maslany talks generosity, collaboration and loving the weird

Olivia Popp
  •  
March 16, 2018
cardinal-red-daily-s-logo

The Split $ubject: Metaphysical subtleties and theological niceties

Joe Goodhew
  •  
March 8, 2018
Courtesy of Sony Pictures Classics

Visions of Elio

Emma Heath
  •  
March 5, 2018
Detail from Richard Diebenkorn's "Ocean Park No. 94" (1976). Courtesy of Cantor Arts Center

Art++: Diebenkorn/Cassavetes

Carlos Valladares
  •  
Feb. 27, 2018
Courtesy of 600 HIGHWAYMEN

‘The Fever’ aims to make you feel innately human

Olivia Popp
  •  
Feb. 21, 2018
Marc Tessier-Lavigne speaks at graduation

The Split $ubject: Modern Thought and Literature between gender performativity and psychoanalysis, part 2

Joe Goodhew
  •  
Feb. 15, 2018
Courtesy of Pixabay

In 2018, celebrity heroes are dead

Zak Sharif
  •  
Feb. 14, 2018
The Stanford Daily

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