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Theater
‘A Brimful of Asha’ gives us a taste of uber-relatable culture clash
Olivia Popp
•
Nov. 27, 2017
The 2017 rendition of ‘Gaieties’ lives up to the hype
Mell Chhoy
•
Nov. 22, 2017
Arts & Life
[wit]’s production of ‘Hamlet’ brings ‘scorched earth’ to a whole new level
Olivia Popp
•
Nov. 17, 2017
Arts & Life
On effect vs. intent of alienation in ‘Katzelmacher’
Olivia Popp
•
Nov. 13, 2017
Stanford queens: The art of drag
Lora Supandi
•
Nov. 12, 2017
Celebrating Jewish determination: A second take on TheatreWorks’ ‘The Prince of Egypt’
Julia Gordon
•
Nov. 8, 2017
‘The Prince of Egypt’ shines artistically but battles with representation
Olivia Popp
•
Oct. 30, 2017
Xandra Ibarra’s ‘Nude Laughing’ is much more than a few giggles
Mell Chhoy
•
Oct. 25, 2017
Christopher Chen’s ‘A Tale of Autumn’ contorts reality and perception
Olivia Popp
•
Oct. 9, 2017
Comedic sizzle trumps lackluster racial discussion in ‘Barbecue’
Olivia Popp
•
Oct. 2, 2017
OSF pt. 3: Jiehae Park’s masterful ‘Hannah and the Dread Gazebo’ tackles a multifaceted Korean American experience
Olivia Popp
•
Sept. 25, 2017
Opening doors for arts careers: Stanford’s Summer Internship Program in Arts Administration
ZaZu Lippert
•
Aug. 27, 2017
OSF pt. 2: ‘Disney’s Beauty and the Beast’ is an enchanting classic
Olivia Popp
•
Aug. 14, 2017
OSF pt. 1: Shaking up Shakespeare with ‘Henry IV, Part 1’ and ‘Julius Caesar’
Olivia Popp
•
Aug. 10, 2017
Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty
Alessandro R.L. Hall
•
June 6, 2017
Does ‘Disrupt!’ disrupt? A few thoughts on Ram’s Head’s original musical
Madelaine Bixler
•
June 5, 2017
Living while funny: an appreciation of Tina Fey and Amy Poehler
Olivia Popp
•
June 4, 2017
‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience
Elizabeth Gerson
•
June 2, 2017
Q&A: Daveed Diggs muses on fame, the accessibility of theater
Olivia Popp
and
Carlos Valladares
•
May 26, 2017
‘No Hero’ at Roble Gym is ‘a multimedia masterwork’
Alli Cruz
•
May 25, 2017
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