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AATP
Culture
‘Man of God’ captures female rage and resistance
Ellen Kim
•
May 13
Culture
The importance of youth activism and art depicted in ‘GROWTHesque’
Bhumikorn Kongtaveelert
•
June 4, 2023
Culture
More than murder? AATP’s ‘THE HEADLANDS’ explores family and identity
Shreya Komar
•
Nov. 14, 2022
Arts & Life
AATP New Works Festival explores and challenges stereotypes of gender and race
Yastika Guru
•
Feb. 21, 2022
Arts & Life
Trauma, war and identity: AATP returns to live theater with ‘Among the Dead’
Ximena Sanchez Martinez
•
Nov. 17, 2021
Arts & Life
‘95 and 6 to Go’ touchingly presents love, loss and history
Rosana Maris Arias
•
April 29, 2021
Arts & Life
The Off the Farm ‘Benefit Cabaret’: Finding permanence in a time (and art form) of transience
Justine Sombilon
•
May 25, 2020
Arts & Life
With ‘Double Vision,’ Olivia Popp ’21 envisions new creative paths
Jacob Kuppermann
•
March 14, 2019
‘The Last Five Years’: A gorgeously staged musical about falling in and out of love
Chasity Hale
•
Feb. 12, 2018
‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience
Elizabeth Gerson
•
June 2, 2017
Top 5 Stanford Theater Productions of 2015
Arts & Life Theater Beat writers
•
Jan. 10, 2016
The Question of Identity in AATP
Madeline MacLeod
•
Nov. 12, 2015
AATP bites off more than it can chew with staged reading
Olivia Witting
•
Oct. 28, 2015
AATP’s ‘Stanford Monologues: Beyond the Bubble’ tries to fight against Stanford Duck Syndrome
Steve Rathje
•
Feb. 12, 2015
Asian-American Theater Project presents identity-focused ‘Stanford Monologues’
Leela Srinivasan
•
Feb. 5, 2015
News
Sold-out ‘Ching Chong Chinaman’ a sign of strong campus interest in AATP
Sarah Wishingrad
•
Nov. 7, 2014
Theater group connects “Death of a Salesman” to Asian American experience
Josee Smith
•
May 9, 2013
The Stanford Daily
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