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film
Screen
Rage on the Page: The howl of ‘Nightbitch’ the film barely echoes the novel
Melisa Ezgi Guleryuz
•
Jan. 23, 2025
Screen
‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic
Mason Barrett
•
Jan. 21, 2025
Screen
Her POV: ‘Babygirl’ is all tension with no release
Blyss Cleveland
•
Jan. 20, 2025
Screen
‘Superman’ teaser radiates hope and justice for a brighter tomorrow
Sebastian Strawser
•
Jan. 16, 2025
Screen
Her POV: ‘Madeline’s Madeline’ artfully breaks down the parent-child bond
Blyss Cleveland
•
Jan. 12, 2025
Screen
‘Moana 2’ drowns in money and fails to make waves
Anthony Martinez Rosales
•
Dec. 11, 2024
Screen
In Focus: ‘C/o Kancharpelam’ addresses the small town taboo of love
Srithanya Satish
•
Nov. 20, 2024
Screen
Levin celebrates birthday at Presidential FLiCKS
Cate Burtner
•
Nov. 19, 2024
The Grind
Overheard at Stanford: ‘Men destrAHOYed this nation’
Linden Hansen
•
Nov. 18, 2024
The Grind
Transfer students share their ‘Why Stanford?’ stories
Catherine Wu
•
Nov. 12, 2024
Screen
‘Anora’ mostly avoids tired tropes about sex workÂ
Blyss Cleveland
•
Nov. 11, 2024
Screen
Talk Horror to Me: Meet ‘Abigail,’ the first pirouetting vampire
Emma Kexin Wang
•
Nov. 7, 2024
Screen
‘Venom: The Last Dance’ lands its finale
Anthony Martinez Rosales
•
Nov. 5, 2024
Screen
I watched 40 movies this summer. Here are my five favorites.
Ellaheh Gohari
•
Oct. 30, 2024
Screen
Her POV: ‘Woman of the Hour’ frames skepticism as a silent killer of womenÂ
Blyss Cleveland
•
Oct. 29, 2024
Screen
‘Civil War’ warns us against defying democracy
Ellaheh Gohari
•
Oct. 27, 2024
Screen
How About Now: The true monster of ‘Frankenstein’ (1931) was an unfaithful book adaptation
Mason Barrett
•
Oct. 21, 2024
Screen
‘Good’ Girlhood: 7 female-focused coming-of-age films
Blyss Cleveland
•
Oct. 14, 2024
Screen
Chronically Online: Stanford students reflect on college decision reaction videos
Chloe Shannon Wong
•
Oct. 13, 2024
Screen
Q&A: How Basil Tsiokos ’95 picks films for Sundance
Grace Zhou
•
Sept. 23, 2024
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