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film
Screen
Q&A: How Basil Tsiokos ’95 picks films for Sundance
Grace Zhou
•
Sept. 23
Screen
FLiCKS ‘Get Out’ Screening
Emma Kexin Wang
•
June 2
The Grind
‘Io Capitano’ evokes shared humanity at Stanford in Florence screening
Adelaide Madary
•
May 13
Screen
Milk, mayhem and murder: FLiCKS returns with ‘sensational’ ‘Saltburn’ screening
Cameron Duran
•
April 15
Screen
‘Problemista’ weaves witty realism and sparkling fantasy
Cameron Duran
•
April 4
The Grind
Drunken Angel: The Kon Ichikawa phobia
Alice Fang
•
March 13
Screen
Delicate Sensibilities: ‘Bodies Bodies Bodies’ is remarkably Gen-Z fluentÂ
Julia Donlon
•
March 13
Screen
‘Good’ girlhood: ‘Girlhood’ balances tenderness and violence
Blyss Cleveland
•
Feb. 16
Screen
The new ‘Mean Girls’ falls flat, but not without something ‘fetch’ for Gen Z
Katie Mannion
and
Annie Virsik
•
Jan. 31
Screen
Sean Penn reveals Ukraine’s ‘Superpower’ and calls for military aid
Rani Chor
•
Jan. 24
The Grind
Romance is dead: Why everything was more meaningful in the past
Lara Seyahi
•
Jan. 22
Screen
The Sound of Cinema: Song drives character growth in ‘The Color Purple’ (2023)
Anthony Martinez Rosales
•
Jan. 17
Arts & Life
The Sound of Cinema: ‘Singin’ in the Rain’ transforms dancing and splashing into musical joy
Anthony Martinez Rosales
•
Jan. 11
Arts & Life
Letter from the Editors: Bringing the arts into the spotlight in Intermission
Linda Liu
and
Sofia Gonzalez-Rodriguez
•
Dec. 6
Screen
Talk Horror to Me: Misdirected forms of human connections in ‘Talk to Me’
Emma Kexin Wang
•
Nov. 8
Screen
‘The Killing of a Journalist’: Slovakia’s struggle against corruption
Olena Bogdan
•
Oct. 29
Screen
A Lover Girl’s Guide: A lonely but great romance
Hana Dao
•
Oct. 23
Screen
‘The Super Mario Bros. Movie’ is bleakly honest with audiences
Zac Dulkin
•
May 29, 2023
Screen
The One: ‘Breakfast at Tiffany’s’ is a problematic classic
Lauren Koong
•
April 20, 2023
Screen
How Stanford women, fictional and real, transform the university’s image in films
Aarushi Dedhiya
•
April 5, 2023
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