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‘My Life At the Movies’: Rachel Kushner explores cultural authority and the influence of filmÂ
Zora Hudson
•
May 11
Screen
The Stanford Scene: West Mulholland ’27 balances stardom and Stanford
Paolo Ferreira Reitz
•
May 8
Screen
‘For a Few Dollars More’ (1965) surpasses its predecessor
Mason Barrett
•
April 8, 2025
Culture
Trope-tastic: What can we do about Mary Sue?
Ellaheh Gohari
•
March 10, 2025
Screen
Second Take: ‘Milk’ highlights gay hope and humanity
Sebastian Strawser
•
March 6, 2025
Culture
Trope-Tastic: Embrace the villainous virtuoso
Ellaheh Gohari
•
Feb. 16, 2025
Screen
‘Nosferatu’ (2024) marries the beautiful and the grotesque
Cate Burtner
•
Jan. 28, 2025
Screen
Rage on the Page: The howl of ‘Nightbitch’ the film barely echoes the novel
Melisa Ezgi Guleryuz
•
Jan. 23, 2025
Screen
‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic
Mason Barrett
•
Jan. 21, 2025
Screen
Her POV: ‘Babygirl’ is all tension with no release
Blyss Cleveland
•
Jan. 20, 2025
Screen
‘Superman’ teaser radiates hope and justice for a brighter tomorrow
Sebastian Strawser
•
Jan. 16, 2025
Screen
Her POV: ‘Madeline’s Madeline’ artfully breaks down the parent-child bond
Blyss Cleveland
•
Jan. 12, 2025
Screen
‘Moana 2’ drowns in money and fails to make waves
Anthony Martinez Rosales
•
Dec. 11, 2024
Screen
In Focus: ‘C/o Kancharpelam’ addresses the small town taboo of love
Srithanya Satish
•
Nov. 20, 2024
Screen
Levin celebrates birthday at Presidential FLiCKS
Cate Burtner
•
Nov. 19, 2024
The Grind
Overheard at Stanford: ‘Men destrAHOYed this nation’
Linden Hansen
•
Nov. 18, 2024
The Grind
Transfer students share their ‘Why Stanford?’ stories
Catherine Wu
•
Nov. 12, 2024
Screen
‘Anora’ mostly avoids tired tropes about sex workÂ
Blyss Cleveland
•
Nov. 11, 2024
Screen
Talk Horror to Me: Meet ‘Abigail,’ the first pirouetting vampire
Emma Kexin Wang
•
Nov. 7, 2024
Screen
‘Venom: The Last Dance’ lands its finale
Anthony Martinez Rosales
•
Nov. 5, 2024
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