movies

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Three South Asian people stand in the middle of a crowd, with the text "In Focus" across the bottom of the image.

In Focus: ‘Jai Bhim’ symbolizes hope for the ‘orphaned’

Srithanya Satish
  •  
Oct. 20, 2024
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"Talk Horror To Me" is written in bloody letters on a wall.

Talk Horror to Me: ‘The Substance’ is all form with little substance

Emma Kexin Wang
  •  
Oct. 17, 2024
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A pink outline of a girl with symbols representing girlhood around the outline.

‘Good’ Girlhood: 7 female-focused coming-of-age films

Blyss Cleveland
  •  
Oct. 14, 2024
The Grind
Graphic of a scene from 500 Days of Summer (elevator scene)

In Good Company: The evolution of the summer fling

Les Ortega
  •  
Oct. 9, 2024
The Grind
A family photo of a mother, in a green shirt, holding her young son.

FaceTime with mom: Boys and art

Ryder Thompson
  •  
May 21, 2024
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Microphone reading "FLiCKS" on it with a paper airplane and a red cup around it. Int he background an image of the screening at CEMEX.

Third FLiCKS screening hits the right note

Anthony Martinez Rosales
  •  
May 12, 2024
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Camera with blood markings, with title reading Civil War Review

‘Civil War’ can’t decide what it’s fighting for

Anthony Martinez Rosales
  •  
April 23, 2024
The Grind
a screenshot text reading "You guys know how when you're in an abusive situation you don't even realize until it's over" with the reply "What happened with work"

A postcard from Ribka’s bedroom: My Barbenheimer trauma

Ribka Desta
  •  
April 17, 2024
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Scene from the flicks screening of Saltburn with drawings of milk jug, toilet paper and water squirts added.

Milk, mayhem and murder: FLiCKS returns with ‘sensational’ ‘Saltburn’ screening

Cameron Duran
  •  
April 15, 2024
The Grind
Postcards on a wall.

A postcard from Ribka’s bedroom: Learning to love being basic

Ribka Desta
  •  
March 13, 2024
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Graphic of TV screen with four people standing with worried faces. Sitting in front of TV is a person with grey hair and an orange cat on their chair.

Delicate Sensibilities: ‘Bodies Bodies Bodies’ is remarkably Gen-Z fluent 

Julia Donlon
  •  
March 13, 2024
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A pink outline of a girl with symbols representing girlhood around the outline.

‘Good’ Girlhood: ‘All Dirt Roads Taste of Salt’ is an evocative Black family portrait

Blyss Cleveland
  •  
Feb. 25, 2024
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Photo of woman, Cathy Yuspa, smiling with purple background.

Lights, Cardinals, Action: ’13 Going on 30′ writer dives into upcoming musical adaptation

Grace Zhou
  •  
Feb. 22, 2024
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Graphic of TV screen with a man in a red robe. Sitting in front of TV is a person with grey hair and an orange cat on their chair.

Delicate Sensibilities: Saltburn is disgracefully fun

Julia Donlon
  •  
Feb. 19, 2024
The Grind
Black strip in the middle surrounded by red and gold designs on both sides, red traditional Chinese characters on the bottom right of the black strip.

‘Curry and Pepper’: Theater

Alice Fang
  •  
Jan. 31, 2024
The Grind
A drawing of a man and woman in formal wear, not looking at each other

Romance is dead: Why everything was more meaningful in the past

Lara Seyahi
  •  
Jan. 22, 2024
Arts & Life
Person wearing 3D movie glasses reflecting scenes from "Singin' in the Rain," eating popcorn, with backdrop of music notes

The Sound of Cinema: ‘Singin’ in the Rain’ transforms dancing and splashing into musical joy

Anthony Martinez Rosales
  •  
Jan. 11, 2024
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Picture of Jeff Small in front of a pink and purple background with star imagery and the headline "Lights, Cardinals, Action".

Lights, Cardinals, Action: How Jeff Small ’95 climbed to the top of Steven Spielberg’s Amblin Partners

Grace Zhou
  •  
Jan. 9, 2024
The Grind
Against a mustard yellow background: left side has three layered images of marble-looking rectangles, right side has Chinese characters

‘Curry and Pepper’: On Ouyang Feng

Alice Fang
  •  
Dec. 4, 2023
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A graphic of photos of Stanford and Berkeley's campus. In the foreground, the text reads "Films shot on campus: Stanford vs. Berkeley).

Screen scrimmage: Famous scenes shot at Stanford and Berkeley

Sarayu Pai
  •  
Nov. 16, 2023
The Stanford Daily

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