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performance
Culture
Former faculty member’s dance company weaves movement with spoken word
Sofia Gonzalez-Rodriguez
•
April 5, 2022
The Grind
Celebrating ‘A Chorus Line’
Emma Park
•
Jan. 18, 2022
Campus Life
Spoken Word Collective expands focus amid pandemic
Yong-Yu Huang
•
Dec. 15, 2020
Data
Stanford endowment 101: Visualizing performance over time, against peers
Benjamin Zaidel
•
Nov. 13, 2020
Arts & Life
Matt Wilson’s band livens Dinkelspiel Auditorium with ‘Honey and Salt’ album performance
Brian Lee
•
July 26, 2019
The Grind
Feeling the heat: A closer look at Stanford burnout
Astrid Casimire
•
March 13, 2019
President, Provost discuss long range planning, graduate student dining and campus climate
Michael Espinosa
•
Oct. 2, 2018
The Grind
Stories of Stanford: Jessica Fry, Broadway performer
Katiana Uyemura
•
Sept. 28, 2018
GSC and R&DE discuss High Performance and Education dining, graduate students’ concerns
Melissa Santos
•
Sept. 27, 2018
St. Lawrence String Quartet presents final 2018 “Midday Masters” concert
Jonathan Liu
•
July 12, 2018
The Stanford Jazz Workshop Launches its 47th Annual Jazz Festival
Jonathan Liu
•
July 4, 2018
Stanford poetry team blooms at CUPSI, takes second place in finals
Chasity Hale
•
May 2, 2018
A quick and dirty crash course to Stanford’s major art practice organizations
Olivia Popp
•
April 26, 2018
Who’s crazy?: ‘Next to Normal’ is devastating and uplifting at once
Minh-Anh Day
•
March 8, 2018
‘Marat/Sade’ is jarring, unorthodox and utterly fascinating
Minh-Anh Day
•
March 2, 2018
‘The Last Five Years’: A gorgeously staged musical about falling in and out of love
Chasity Hale
•
Feb. 12, 2018
The Grind
Lessons from dancing in college
Kristen Lee
•
Jan. 30, 2018
‘A Brimful of Asha’ gives us a taste of uber-relatable culture clash
Olivia Popp
•
Nov. 27, 2017
The Grind
All the world’s a stage, and I hate it: On interpersonal performativity
Claire Francis
•
Nov. 15, 2017
Harry Gamboa Jr.’s performance art is impactful as ever in ‘Vital Signs’
Natalie Sada
•
Oct. 24, 2017
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