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Alli Cruz
New York Minute: Exploring love, memory and loss in ‘The Things That Were There’
Alli Cruz
•
Oct. 17, 2018
New York Minute: CRASH Theater Co.’s ‘TaRaRaBOOM’ explodes with absurdity and modernity
Alli Cruz
•
Oct. 12, 2018
SF Playhouse’s ‘In Braunau’ is frighteningly underdeveloped
Alli Cruz
•
July 18, 2018
A BottleRockin’ hit: A convergence of music, food and art
Alli Cruz
•
June 7, 2018
‘Gruesome Playground Injuries’ is a grossly entertaining production
Alli Cruz
•
May 15, 2018
Q&A: Hasan Minhaj talks activist art, comedy and getting the audience to listen
Alli Cruz
,
Olivia Popp
and
Samantha Wong
•
April 23, 2018
Who am I, really? Mixed race identities in television and media
Olivia Popp
and
Alli Cruz
•
Feb. 5, 2018
It’s all aliebn to me
Alli Cruz
•
Oct. 21, 2017
‘No Hero’ at Roble Gym is ‘a multimedia masterwork’
Alli Cruz
•
May 25, 2017
BLACKstage’s ‘Ragtime’ reverberates with hope and strife
Alli Cruz
•
May 14, 2017
Ram’s Head Theatrical Society’s ‘Wild Party’ brings out the party animal in us all
Alli Cruz
•
April 14, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
•
March 3, 2017
StanShakes’ “Macbeth” is wickedly entertaining
Alli Cruz
•
Feb. 23, 2017
“The Vagina Monologues” grabs back female empowerment
Alli Cruz
•
Feb. 16, 2017
Theater review: Great timing for ‘Gaieties of Future Past’
Alli Cruz
•
Nov. 16, 2016
Theater review: ‘Seared’ is a cutting-edge new drama
Alli Cruz
•
Nov. 3, 2016
The Stanford Daily
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