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Critic’s Pick
‘Godard Mon Amour’ is a loving tribute to an irreverent genius
Amir Abou-Jaoude
•
May 15, 2018
The truth of grief: Paul Fusco, Robert F. Kennedy and “The Train” at SFMOMA
Mac Taylor
•
May 11, 2018
‘A Quiet Place’ is silently scary
Hamza Ali Zahurullah
•
May 10, 2018
The crew of Cru, part 2
Samantha Wong
•
May 10, 2018
Recs from the Vault: The best new films I saw in theaters
Carlos Valladares
•
May 10, 2018
The crew of Cru: part 1
Samantha Wong
•
May 8, 2018
Blackfest 2018 brings together 2 Chainz, Dreezy in raucous fun
Jacob Kuppermann
•
May 7, 2018
The best independent music of 2018 (so far!)
Jacob Kuppermann
•
May 1, 2018
Third annual Silicon Valley Comic Con bridges technology and pop culture
Olivia Popp
•
April 30, 2018
Recs from the Vault: “In This Our Life,” “Meet Me in St. Louis,” “McCabe & Mrs. Miller”
Carlos Valladares
•
April 26, 2018
‘The Effect’ is an empathetic, contemporary cyberpunk exploration of love and science
Olivia Popp
•
April 24, 2018
Looking for space: children of the American West
Mac Taylor
•
April 23, 2018
Q&A: Hasan Minhaj talks activist art, comedy and getting the audience to listen
Alli Cruz
,
Olivia Popp
and
Samantha Wong
•
April 23, 2018
Earth in Color blends humanity and art into the environmental movement
Claire Miles
•
April 19, 2018
San Jose Stage Company’s ‘Sweeney Todd’ is a demonic, tormented masterpiece
Olivia Popp
•
April 15, 2018
Recs from the Vault: ‘Tommy,’ ‘The Verdict,’ ‘Canoa,’ ‘The Bride Wore Black,’ ‘Pretty Poison’
Carlos Valladares
•
April 12, 2018
Recs from the Vault: swampy sounds, Eugene O’Neill and wild Wilder
Carlos Valladares
•
April 5, 2018
Popcorn poetry: Five poetry titles to read over spring break
Claire Francis
•
March 17, 2018
Arts & Life
‘Orphan Black’ star Tatiana Maslany talks generosity, collaboration and loving the weird
Olivia Popp
•
March 16, 2018
A.C.T.’s ‘Vietgone’ shines in its story and unadulterated authenticity
Olivia Popp
•
March 15, 2018
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