Saturday, March 25th, 2023
Account
Logo
Subscribe to Digest
Donate
Amir Abou-Jaoude

Amir Abou-Jaoude

Opinions
Stanford's main quad

Senior reflection

Amir Abou-Jaoude
  •  
June 21, 2020
Arts & Life

‘On the Waterfront’ and on returning to the top

Amir Abou-Jaoude
  •  
Oct. 9, 2019
Featured

Sheridan Square

Amir Abou-Jaoude
  •  
June 5, 2019
Magazine
Screen Shot 2019-05-17 at 6.23.34 PM

Hidden Struggle: Flaws in ballet’s disability narrative

Amir Abou-Jaoude
  •  
May 17, 2019
Arts & Life

‘The Women’ is about far more than femininity

Amir Abou-Jaoude
  •  
May 13, 2019
Arts & Life

In ‘Shame,’ Ingmar Bergman examines evil in ordinary people

Amir Abou-Jaoude
  •  
April 22, 2019
Arts & Life

American culture is under fire in ‘The Big Heat’

Amir Abou-Jaoude
  •  
April 16, 2019
Arts & Life

‘Detour’ provides a dark commentary on dreams and destiny

Amir Abou-Jaoude
  •  
April 12, 2019
Arts & Life

‘Death in Venice’ documents the decline of the bourgeoisie

Amir Abou-Jaoude
  •  
April 2, 2019

Scorsese uses allusion to conjure up ‘The Age of Innocence’

Amir Abou-Jaoude
  •  
Feb. 26, 2019

Ford and Fonda examine the legend of ‘Young Mr. Lincoln’

Amir Abou-Jaoude
  •  
Feb. 13, 2019

‘If Beale Street Could Talk’ brings Baldwin’s story to the screen

Amir Abou-Jaoude
  •  
Feb. 11, 2019

‘Midnight Cowboy’ critiques American mythology

Amir Abou-Jaoude
  •  
Feb. 8, 2019
Allison (Ally Sheedy) and Claire (Molly Ringwald) experience epiphanies in Saturday detention (courtesy of Universal Pictures and Getty Images).

‘The Breakfast Club’ is an antique analysis of adolescent anguish

Amir Abou-Jaoude
  •  
Feb. 5, 2019

Curators Alex Fialho and Melissa Levin on rediscovering Michael Richards’ work

Amir Abou-Jaoude
  •  
Jan. 31, 2019

‘My Man Godfrey’ supplies sidesplitting comedy and social commentary

Amir Abou-Jaoude
  •  
Jan. 22, 2019
'Some Like It Hot' focuses on an all-girl band--except two members aren't girls at all (courtesy of Wikimedia Commons).

In ‘Some Like It Hot,’ Billy Wilder explores the attributes of artifice

Amir Abou-Jaoude
  •  
Jan. 18, 2019
The Ambersons spend much of their time sequestered in their magnificent mansion (courtesy of Warner Bros. Pictures and The Criterion Collection.)

Orson Welles documents a family’s dizzying decline in ‘The Magnificent Ambersons’

Amir Abou-Jaoude
  •  
Jan. 17, 2019

Sex, society and ‘Shampoo’

Amir Abou-Jaoude
  •  
Jan. 14, 2019
During his time at Stanford, Yung Slee has become a prolific musician (courtesy of Yung Slee).

Yung Slee crafts songs from Stanford

Amir Abou-Jaoude
  •  
Jan. 9, 2019
The Stanford Daily

Login or create an account