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Critic’s Pick

Gary Cooper and Helen Hayes in Frank Borzage's 1932 film of the Ernest Hemingway book "A Farewell to Arms." (Courtesy of Paramount Pictures)

At the Stanford Theatre: In ‘A Farewell to Arms,’ Frank Borzage finds love in war

Carlos Valladares
  •  
March 12, 2018
(Courtesy of Windmark Recording)

Where is all the good music in 2018?, part 1

Jacob Nierenberg
  •  
March 8, 2018
Courtesy of Alfred Knopf

Milkman, the universe revolves around you! Shish-kebab storytelling and ‘Song of Solomon’

Mark York
  •  
March 5, 2018
Greta Gerwig (right) directs Saoirse Ronan on the set of Gerwig's film "Lady Bird." (Courtesy of A24.)

Carlos Valladares’ Oscar Picks 2018

Carlos Valladares
  •  
March 2, 2018
cardinal-red-daily-s-logo

The hyper-connected brilliance of Sidney Gish’s ‘No Dogs Allowed’

Jacob Kuppermann
  •  
Feb. 22, 2018
Nakia (Lupita N'yongo, left), T'Challa (Chadwick Boseman, center), and Shuri (Letitia Wright, right) join forces in "Black Panther." (Courtesy of Marvel Studios)

Marvel gets a blast of Afrofuturism with the thrilling ‘Black Panther’

Jacob Nierenberg
  •  
Feb. 20, 2018
Courtesy of Wikimedia Commons

Shelf-indulgence: What professors are reading

Claire Francis
  •  
Feb. 20, 2018
King Gizzard & The Lizard Wizard live in 2016 (Paul Hudson/FLICKR)

A guide to King Gizzard & The Lizard Wizard’s absurdly prolific 2017

Jacob Nierenberg
  •  
Feb. 20, 2018
Sterling K. Brown '98. (Courtesy of Nathan Johnson)

An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists

Olivia Popp
  •  
Feb. 13, 2018
Courtesy of Wikimedia Commons

Revisiting Siken

Maddie Kim
  •  
Feb. 11, 2018
BILL EBBESEN/Wikimedia Commons

Poet’s work: Destroyer brings wry, thoughtful indie rock to the Fillmore

Nick Burns
  •  
Feb. 11, 2018
Right to left: Forrest Goodluck, Sasha Lane and Chloë Grace Moretz in "The Miseducation of Cameron Post." (Courtesy of Sundance Institute)

Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films

Olivia Popp
  •  
Feb. 9, 2018
cardinal-red-daily-s-logo

Clickbait Philosophy: Everything you thought you knew about ethics IS WRONG

Cameron Hubbard
  •  
Feb. 6, 2018
Dichen Lachman, left, as Jiaying, the Chinese-born mother of Daisy Johnson, right (Chloe Bennet). Both Lachman and Bennet identify as mixed race. (Courtesy of ABC)

Who am I, really? Mixed race identities in television and media

Olivia Popp and Alli Cruz
  •  
Feb. 5, 2018
Jen (Matilda Lutz) seeks vengeance for her rape in "Revenge." (Courtesy of Rezo Films)

Sundance 2018, part 3: The Festival’s darkest films, reviewed

Olivia Popp
  •  
Feb. 3, 2018
Courtesy of Richard Chambers

‘Ready, fire, aim’: A talk with Disney producer Don Hahn

Olivia Popp
  •  
Feb. 1, 2018
Courtesy of Bibliothèque nationale de France

Great writers, bad readers

Emma Heath
  •  
Jan. 31, 2018
A film still from "Hale County This Morning, This Evening" by RaMell Ross, an official selection of the U.S. Documentary Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Insitute | photo by IDIOM Film/RaMell Ross.

Sundance 2018, part 2: Valladares’ take on ‘Hale County,’ ‘You Were Never Really Here,’ ‘Leave No Trace’

Carlos Valladares
  •  
Jan. 31, 2018
Graphic of a person spray painting "Free Speech" in red on a brick wall.

Clickbait Philosophy: Navigating the path to free speech

Cameron Hubbard
  •  
Jan. 30, 2018
SCOTT ROTH/Shutterstock

The 2018 Sundance Film Festival, part 1

Sabrina Medler
  •  
Jan. 30, 2018
The Stanford Daily

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