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Critic’s Pick

At the Stanford Theatre: In ‘A Farewell to Arms,’ Frank Borzage finds love in war

Carlos Valladares
  •  
March 12, 2018

Where is all the good music in 2018?, part 1

Jacob Nierenberg
  •  
March 8, 2018

Milkman, the universe revolves around you! Shish-kebab storytelling and ‘Song of Solomon’

Mark York
  •  
March 5, 2018

Carlos Valladares’ Oscar Picks 2018

Carlos Valladares
  •  
March 2, 2018

The hyper-connected brilliance of Sidney Gish’s ‘No Dogs Allowed’

Jacob Kuppermann
  •  
Feb. 22, 2018

Marvel gets a blast of Afrofuturism with the thrilling ‘Black Panther’

Jacob Nierenberg
  •  
Feb. 20, 2018

Shelf-indulgence: What professors are reading

Claire Francis
  •  
Feb. 20, 2018

A guide to King Gizzard & The Lizard Wizard’s absurdly prolific 2017

Jacob Nierenberg
  •  
Feb. 20, 2018

An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists

Olivia Popp
  •  
Feb. 13, 2018

Revisiting Siken

Maddie Kim
  •  
Feb. 11, 2018

Poet’s work: Destroyer brings wry, thoughtful indie rock to the Fillmore

Nick Burns
  •  
Feb. 11, 2018

Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films

Olivia Popp
  •  
Feb. 9, 2018

Clickbait Philosophy: Everything you thought you knew about ethics IS WRONG

Cameron Hubbard
  •  
Feb. 6, 2018

Who am I, really? Mixed race identities in television and media

Olivia Popp and Alli Cruz
  •  
Feb. 5, 2018

Sundance 2018, part 3: The Festival’s darkest films, reviewed

Olivia Popp
  •  
Feb. 3, 2018

‘Ready, fire, aim’: A talk with Disney producer Don Hahn

Olivia Popp
  •  
Feb. 1, 2018

Great writers, bad readers

Emma Heath
  •  
Jan. 31, 2018

Sundance 2018, part 2: Valladares’ take on ‘Hale County,’ ‘You Were Never Really Here,’ ‘Leave No Trace’

Carlos Valladares
  •  
Jan. 31, 2018
Graphic of a person spray painting "Free Speech" in red on a brick wall.

Clickbait Philosophy: Navigating the path to free speech

Cameron Hubbard
  •  
Jan. 30, 2018

The 2018 Sundance Film Festival, part 1

Sabrina Medler
  •  
Jan. 30, 2018
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