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Critic’s Pick
‘Big Little Lies’ brings big talent to the small screen
Raymond Maspons
•
May 8, 2017
‘Saint Joan of the Stockyards’ gives power to the people
Alessandro R.L. Hall
•
May 5, 2017
In ‘Mildred Pierce,’ Joan Crawford shone brightest
Amir Abou-Jaoude
•
May 1, 2017
The unexpected grace of Kendrick Lamar’s ‘DAMN.’
Benjamin Sorensen
•
April 27, 2017
At the de Young: Danny Lyon’s ‘Message to the Future’ and ‘The Summer of Love’
Carlos Valladares
•
April 26, 2017
Gabe and Abdulla’s Playlist: Money Trees
Gabriel Knight
•
April 14, 2017
Rooney Pitchford ’15 gets a hero’s welcome in San Francisco
Benjamin Sorensen
•
April 13, 2017
The Red Hot Chili Peppers bring the hype to Oracle
Dylan Grosz
•
April 11, 2017
A night at Bing with Vikesh Kapoor, American bard
Benjamin Sorensen
•
April 7, 2017
‘One Day at a Time’? More like ‘immediately watch it all at once’
Olivia Popp
•
April 4, 2017
Sampha steps into the spotlight on his stunning debut, ‘Process’
Jacob Nierenberg
•
April 3, 2017
A perfect movie week? ‘The Red Turtle,’ ‘Personal Shopper,’ ‘I Am Not Your Negro’, ‘Song to Song,’ ‘Frantz’
Carlos Valladares
•
March 28, 2017
Thundercat’s ‘Drunk’ offers a sobering message on escapism
Dylan Grosz
•
March 14, 2017
The original ‘Planet of the Apes’ is innovative and refreshing
Olivia Popp
•
March 9, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
•
March 3, 2017
Worst films of 2016: ‘Nocturnal Animals’ is fashion without sense
Rey Barceló
•
March 2, 2017
Renaissance man: Abijah Archer ’20 and the collision of music and activism
Esther Tsvayg
•
March 2, 2017
Dodie Clark and the power of YouTube to launch music careers
Jourdann Fraser
•
March 1, 2017
Enjoying the “Ryde”: JOYRYDE’s C.A.R. tour comes to San Francisco
Trenton Chang
•
Feb. 27, 2017
StanShakes’ “Macbeth” is wickedly entertaining
Alli Cruz
•
Feb. 23, 2017
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