Tuesday, November 5th, 2024

Critic’s Pick

Dietrich is an extraordinary actress in ‘The Scarlet Empress’

Amir Abou-Jaoude

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Oct. 23, 2018

‘2001: A Space Odyssey’ is a bizarre, epic journey

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Oct. 22, 2018

‘The Guilty’ delivers thrills from behind a telephone

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Oct. 19, 2018

National tour of ‘Waitress’ cooks up a new Broadway classic

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Oct. 19, 2018

‘Contact Warhol’ illuminates the artist’s ingeniousness

Amir Abou-Jaoude

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Oct. 18, 2018

‘First Man’ flies high

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Oct. 17, 2018

New York Minute: Exploring love, memory and loss in ‘The Things That Were There’

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Oct. 17, 2018

‘Drogas Wave’ is the final boss of hip-hop concept albums

Hamza Ali Zahurullah

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Oct. 16, 2018

Bradley Cooper critiques show business in ‘A Star Is Born’

Amir Abou-Jaoude

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Oct. 15, 2018

Enjoying the fall edition of Corgi Con 2018 at Ocean Beach

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Oct. 15, 2018

Satyajit Ray muses on movies and money in ‘The Hero’

Amir Abou-Jaoude

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Oct. 12, 2018

New York Minute: CRASH Theater Co.’s ‘TaRaRaBOOM’ explodes with absurdity and modernity

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Oct. 12, 2018

Powell and Pressburger portray two wonderful worlds in ‘A Matter of Life and Death’

Amir Abou-Jaoude

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Oct. 9, 2018

In ‘The Awful Truth,’ McCarey crafts a comedy about class

Amir Abou-Jaoude

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Oct. 8, 2018

In ‘El Sur,’ Victor Erice contemplates childhood

Amir Abou-Jaoude

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Oct. 5, 2018

ACT’s ‘Sweat’ is a masterclass in contemporary American theater

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Oct. 5, 2018

milo’s alpha and omega

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Oct. 5, 2018

Von Sternberg creates a land of light and shadow in ‘Shanghai Express’

Amir Abou-Jaoude

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Oct. 4, 2018

‘Arturo Ui’ provides an eerie reflection of today’s administration

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Oct. 4, 2018

John Waters’ ‘Female Trouble’ is twisted and terrific

Amir Abou-Jaoude

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Oct. 3, 2018