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Critic’s Pick

(left to right) Michelle Talgarow as Blythe, Greg Ayers as Joshua, Karen Offereins as Mary, Sean Fenton as Christopher and Rinabeth Apostol as Charlotte in "Two Mile Hollow." (Courtesy of Annie Wang)

‘Two Mile Hollow’ is a delightfully vicious reversal of classically white theater

Caro Asercion
  •  
July 1, 2018
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[final cf] Austrian filmmaker Nikolaus Geyrhalter creates engaging, experimental documentaries

Maxwell Menzies
  •  
June 29, 2018
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William Blake and Yayoi Kusama: Endless Myth

Hannah Knowles and Emma Heath
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June 18, 2018
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Stanley Donen’s ‘Charade’ provides old-fashioned fun

Abe Thompson
  •  
June 14, 2018
La belle Deneuve in 'The Umbrellas of Cherbourg' (1964) by Jacques Demy. (Courtesy of Janus Films)

Carlos Valladares’ favorite movies

Carlos Valladares
  •  
June 11, 2018
Courtesy of Sony Pictures Classics

Chloe Zhao’s ‘The Rider’ is riveting

Hayley Hodson
  •  
June 9, 2018
(Left to right) Corey Greenan, Tommaso Antico, Jonny Wexler and Chris Stevens in "Jersey Boys." (Courtesy of Joan Marcus)

Tony Award-winning ‘Jersey Boys’ brings toe-tapping nostalgia to the Bay Area

Olivia Popp
  •  
June 8, 2018
(Left to right) Jed Whedon, Jeph Loeb, Chloe Bennet, Ming-Na Wen and Iain de Caestecker of Marvel's "Agents of S.H.I.E.L.D." pose for photos after the show's panel at WonderCon Anaheim 2018. (OLIVIA POPP/The Stanford Daily)

WonderCon 2018: A blow-by-blow of pop culture highlights and must-sees

Olivia Popp
  •  
June 7, 2018
DEVON ZANDER/The Stanford Daily

A BottleRockin’ hit: A convergence of music, food and art

Alli Cruz
  •  
June 7, 2018
Akiva Schaffer, Andy Samberg and Jorma Taccone of The Lonely Island performs on the Colossal Stage during Clusterfest at Civic Center Plaza and The Bill Graham Civic Auditorium on June 1, 2018 in San Francisco, California. (JEFF KRAVITZ/Clusterfest by FilmMagic.com)

Despite logistical challenges, Clusterfest brings gut-busting laughs to San Francisco

Samantha Wong and Olivia Popp
  •  
June 6, 2018
Pusha T at the Brooklyn Hip-Hop Festival in 2013. (SIMON ABRAMS/Wikimedia Commons)

The Patience of Pusha T

Jacob Kuppermann
  •  
May 31, 2018
Arts & Life
Moll (Jessie Buckley) and Pascal (Johnny Flynn) stand on the coast of Jersey in "Beast." (Courtesy of 30WEST)

‘Beast’ lacks bite but leaves audiences haunted

Olivia Popp
  •  
May 31, 2018
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Throwback Thursday: Sergei Parajanov’s ‘The Color of Pomegranates’ is a mystifying masterpiece

Maxwell Menzies
  •  
May 31, 2018
Courtesy of Matthew Murphy

‘The Color Purple’ revival stuns and dazzles, emotionally and theatrically

Olivia Popp
  •  
May 30, 2018
Janelle Monáe performing at Boston Calling in 2016. (ADAM SLASMAN/Flickr)

Janelle Monáe proves she’s human after all on ‘Dirty Computer’

Jacob Nierenberg
  •  
May 30, 2018
Clay Jenkinson as Theodore Roosevelt. (Courtesy of Clay Jenkinson)

Theodore Roosevelt returns in Clay Jenkinson’s impersonation performance

Amir Abou-Jaoude
  •  
May 30, 2018
Courtesy of Marvel Studios

‘Avengers: Infinity War’ is infinitely impressive

Isaac Vaught
  •  
May 30, 2018
Bella Wilcox '19 and Elias Mooring '18 in a scene from "The Ocean and the Avenue." (Courtesy of Spencer Slovic)

‘The Ocean & the Avenue’: an antidote to deadened Marvel cinema

Carlos Valladares
  •  
May 25, 2018
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‘Deadpool 2’ is rife with blood, sweat and nonsense

Noah Howard
  •  
May 24, 2018
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Can U2 reclaim its punk heritage without relying on past hits?

Jacob Nierenberg
  •  
May 17, 2018
The Stanford Daily

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