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Culture
Culture
Cardinal Canvas: Mourning home in Muriente’s ‘Celaje’
Adam Golomb
•
Feb. 22, 2024
Culture
A latté of love for ‘Love, On Call’
Ellen Kim
and
Dan Kubota
•
Feb. 20, 2024
Culture
Do Valentine’s Day dessert specials deserve the love?
Sebastian Strawser
•
Feb. 16, 2024
Culture
NYC piano bar brings Broadway to Bing
Lydia Wei
•
Feb. 15, 2024
Culture
Palo Alto extends outdoor dining until July 2026
Sophie Nguyen
•
Feb. 14, 2024
Culture
Is Stanford’s on-campus boba worth it?
Judy N. Liu
•
Feb. 13, 2024
Culture
‘Let my word take action’: Transformative feminist narratives at TAPS
Charlotte Kearns
•
Feb. 13, 2024
Culture
‘Shifting Fields’: A colorful escape through Chinese painting
Cate Burtner
•
Feb. 8, 2024
Culture
Student art flourishes at ‘Good Mother Studio’ pop-up
Miriam Awan
•
Feb. 7, 2024
Culture
Falling out of love in ‘Juliet and Romeo’
Lydia Wei
•
Feb. 5, 2024
Culture
‘Now is the Moment’: Enrique MartÃnez Celaya urges students to create
Maria Chica
•
Feb. 5, 2024
Arts & Life
‘Impulse Response’ reverberates at the nexus of music, technology and visual art
Alexandra Blum
•
Jan. 30, 2024
Culture
Q&A: Visiting Artist Sabelo Mlangeni on photographing South African communities and identities
Sydney Dever-Mendenhall
•
Jan. 9, 2024
Culture
IDA fellows reflect on social justice-oriented arts program
Charlotte Cao
and
Jaiden McDaniel
•
Dec. 6, 2023
Culture
Raising the curtain: Unveiling the 130-year history of ‘Gaieties’
Lauren Boles
•
Dec. 6, 2023
Culture
Branching out but rooted in tradition: Trees through the decades
Maria Chica
•
Dec. 4, 2023
Culture
Richard Powers’ 31-year waltz on the Farm
Judy N. Liu
•
Dec. 4, 2023
Culture
TAPS’s ‘For Now’: A theatrical respite from toxic productivity
Charlotte Kearns
•
Dec. 3, 2023
Culture
Breaking Ground: A dance party for everyone — or at least those who got tickets
Linda Liu
•
Dec. 3, 2023
Culture
BLACKstage explores ‘Love and Information’ through situational comedy
Charlotte Kearns
•
Dec. 3, 2023
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