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On Campus
Interview: Linda Uyechi and Steve Sano on North American taiko
Maimi Higuchi
•
May 3, 2017
Let’s talk about violence: ‘The Wild Party’ and the performance of survivor solidarity
Madelaine Bixler
•
April 27, 2017
Ram’s Head Theatrical Society’s ‘Wild Party’ brings out the party animal in us all
Alli Cruz
•
April 14, 2017
Gabe and Abdulla’s Playlist: Money Trees
Gabriel Knight
•
April 14, 2017
Rooney Pitchford ’15 gets a hero’s welcome in San Francisco
Benjamin Sorensen
•
April 13, 2017
‘To Sleep To Dream’ challenges our knowledge of conventional films
Alessandro R.L. Hall
•
April 11, 2017
Alexander Nemerov: Stanford’s art history preacher
Carlos Valladares
•
April 7, 2017
A night at Bing with Vikesh Kapoor, American bard
Benjamin Sorensen
•
April 7, 2017
Gabe and Abdulla’s Playlist: Sunny and Seventy-Five
Gabriel Knight
•
April 6, 2017
At the Cantor: ‘Warhol Unframed’ dismantles pop image of pop legend
Eva Hong
•
March 5, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
•
March 3, 2017
Radical optimism: PWR BTTM at Kairos
Jacob Kuppermann
•
March 3, 2017
Cardinal Studios’ latest films: ‘Raspberry,’ ‘Hellevator’
Chelsea Red-Horse Mohl
•
March 3, 2017
Renaissance man: Abijah Archer ’20 and the collision of music and activism
Esther Tsvayg
•
March 2, 2017
StanShakes’ “Macbeth” is wickedly entertaining
Alli Cruz
•
Feb. 23, 2017
Theater review: “The Mammaries of Tiresias” shatters our patriarchal society
Elizabeth Gerson
•
Feb. 23, 2017
A throwback to the Golden Age: Postmodern Jukebox wows at Bing
Andrea Lim
•
Feb. 21, 2017
BJ the Chicago Kid delivers a dizzying performance at Black Love
Benjamin Sorensen
•
Feb. 20, 2017
“The Vagina Monologues” grabs back female empowerment
Alli Cruz
•
Feb. 16, 2017
I partied with Alan Cumming at Bing on his birthday
Andrea Lim
•
Feb. 3, 2017
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