Monday, March 27th, 2023
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On Campus

Culture
Veronica Roberts smiles in front of a wall of face sculptures.

Cantor Arts Center seeks new start with Director Veronica Roberts

Carolyn Considine
  •  
Aug. 22
Screen
The members of Golden Spike Studio stand in the front as they introduce their film to the audience.

Golden Spike Studios’ sold-out debut screening reveals the labor of love in student film production

Malia Mendez
  •  
Oct. 31, 2021
Film
Filmmaker Kevin Jerome Everson stands in front of a projector

Dedicated to democracy: Filmmaker Kevin Jerome Everson discusses documentary ‘Tonsler Park’

Lena McEachern
  •  
Oct. 24, 2021
On Campus
Students engage in artistic activities around a wooden table at the Roble Arts Gym

Roble Arts Gym reopens after long COVID-19 hiatus

Mary Lee
  •  
Sept. 30, 2021
Arts & Life
Stanford Philharmonia performing on Meyer Green

Live music returns to Stanford with Stanford Philharmonia performance on Meyer Green

Peyton Lee
  •  
May 23, 2021
Arts & Life

Remembering Black lives through ‘Say Their Names — No More Names’

Chasity Hale
  •  
Sept. 10, 2020
Arts & Life

Black FLI Stanford sophomores weigh in on ‘What’s Big’ in new podcast

Nicole Johnson
  •  
Aug. 19, 2020
Arts & Life
(Graphic: MIRA RAVI/The Stanford Daily)

Amid COVID-19, performing arts clubs plan for an uncertain future

Mira Ravi
  •  
Aug. 18, 2020
On Campus
Stanford YouTubers make their insights into day-to-day life at Stanford or even how admissions officers evaluated their applications freely available on the internet, a tool that proves more accessible than other avenues students use to maneuver the admissions process. Not every high schooler has access to SAT tutoring or a private college counselor, but many of them are on social media. (Photo: Cyan D’anjou/Youtube)

Stanford on Youtube

Sariah Hossain
  •  
July 22, 2020
Arts & Life
Dinkelspiel_Auditorium

‘Devised at Dink’: Producer Chloe Chow ’23 on revamping Gaieties 2020 to open-air sketch comedy

Vivian Jiang
  •  
July 17, 2020
On Campus
(Photo courtesy of The Comeup Collective)

The Comeup Collective: Stanford alumni share their experiences as first-generation Black students

Nina Iskandarsjach
  •  
July 15, 2020
Arts & Life
Eve La Puma '20 majored in TAPS with a minor in music (bassoon performance) and is a highly valued member of the Stanford Arts community. She celebrates her graduation this weekend with the class of 2020 and will be dearly missed. (Photo courtesy of Eve La Puma)

Artist Spotlight: Eve La Puma ’20, actor-musician

Natalie Francis
  •  
June 13, 2020
Arts & Life
VoCSS SCN Graphic

Voices of Canceled Stanford Shows: Producing a concert at the end of the world

Carly Taylor
  •  
May 8, 2020
Arts & Life

Voices of Canceled Stanford Shows: Sarah Mergen ’19 on adapting Shakespeare and directing ‘HAL’

Natalie Francis
  •  
May 1, 2020
Arts & Life

Artist Spotlight: Yannie Tan ’23 on being an experimental musician, Youtube creator

Nadia Jo
  •  
April 27, 2020
Arts & Life
The poster for the canceled SSO and SSC winter 2020 concert featuring works by Phillips, Beethoven and Janácek (Photo courtesy of Paul Phillips)

Voices of Canceled Stanford Shows: The Stanford Symphony Orchestra’s winter concert

Natalie Francis
  •  
April 13, 2020
Arts & Life
Stanford recording engineer Elena Georgieva M.A. '19 operates the sound board in the CCRMA recording studio. (Photo courtesy of Elena Georgieva)

Artist Spotlight: CCRMA recording engineer Elena Georgieva M.A. ’19 on working with award-winning Stanford a cappella groups

Natalie Francis
  •  
April 3, 2020
Arts & Life

Palm Drive Records’ Music @ Mars gives indie musicians the mic

Megan Faircloth
  •  
March 6, 2020
Arts & Life

Harmonics’ winter show ‘Blacklisted’ proves alt-rock anthems, indie solos never go out of style

Amy Miyahara
  •  
March 4, 2020
Arts & Life
Alexa Thomson '21 and her a cappella co-stars shine in this year's astrology-take on Mixed Co.'s annual anti-Valentines Day show. (photo credit: Michael Byun)

Astrology app gives Stanford’s Mixed Co love advice in ‘Love Sucks’

Nadia Jo
  •  
Feb. 25, 2020
The Stanford Daily

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