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On Campus

(Courtesy of Rooney Pitchford)

Familiar Faces: Getting to know Rooney Pitchford ’15

Benjamin Sorensen
  •  
Jan. 30, 2017
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At the Stanford: Two rare Lubitsch silents

Carlos Valladares
  •  
Jan. 19, 2017
Courtesy of Frank Chen

Theater review: The Original Winter One Acts bring psychological depth to student theater

Elizabeth Gerson
  •  
Jan. 19, 2017
(l-r) Carole Lombard and Jack Benny in Ernst Lubitsch's sparkling anti-Nazi comedy "To Be Or Not to Be". (Courtesy of Janus Films).

Stanford Theatre schedule, Jan. 17-22

Carlos Valladares
  •  
Jan. 17, 2017
"Here's lookin' at you, kid." Bogie and Bergman.

This Weekend: ‘Casablanca,’ ‘To Be Or Not To Be’ at the Stanford

Carlos Valladares
  •  
Jan. 11, 2017
Photo: DANIEL CHAN/The Stanford Daily.

Theater review: Life ain’t a cabaret for At The Fountain’s ‘Oh Say, Can You Sing?’

Alejandra Aguilar
  •  
Dec. 6, 2016
Courtesy Cantor Arts Center. Kate Mendillo pick (for 105 Russell) Huang Binhong (China, 1864–1955), Mountain Landscape, c. 1953. Ink and color on paper. Gift of Dr. Shirley Sun (A.B., 1964; A.M., 1969; Ph.D, 1974), 1994.113

‘Object Lessons’: A crash course in modern Chinese brush painting

Eric Huang
  •  
Nov. 29, 2016
Arts & Life
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Stanford Women* in Theater’s “Merchant of Venice” shakes Shakespeare up

Olivia Witting
  •  
Nov. 23, 2016

Stanford Philharmonia provides engaging glimpse into musical worlds

Ben Maldonado
  •  
Nov. 22, 2016
(Photo: Frank Chen)

AATP’s “Durango” details family breakdown with honesty and hope

Elizabeth Gerson
  •  
Nov. 18, 2016
(Courtesy of Frank Chen)

Theater review: Great timing for ‘Gaieties of Future Past’

Alli Cruz
  •  
Nov. 16, 2016
"SO(u)L" by faruhdey (far left) is, for The Outsiders, a family affair. (Courtesy of Musila Munuve)

Album Review: faruhdey’s ‘SO(u)L’ is a family affair

Jacob Nierenberg
  •  
Nov. 14, 2016
(Courtesy of Frank Chen)

Electrifying “In Volution” at the Nitery carries an extra sting, post-Election

Elizabeth Gerson
  •  
Nov. 11, 2016
"SO(u)L" by faruhdey (far left) is, for The Outsiders, a family affair. (Courtesy of Musila Munuve)

‘SO(u)L’ Power: 10 things to know about faruhdey’s debut album

Jacob Nierenberg
  •  
Nov. 11, 2016
The St. Lawrence Quarter delivered a stunning performance at Bing last Saturday. (BENJAMIN MALDONADO/The Stanford Daily)

St. Lawrence String Quartet baffles and delights at Bing

Ben Maldonado
  •  
Nov. 2, 2016
A scene from TAPS' production of "Spring Awakening," the inaugural performance of the new Roble Studio Theater. (Photo: Frank Chen)

Theater review: TAPS’ ‘Spring Awakening’ is an inaugural production to be remembered

Olivia Witting
  •  
Oct. 30, 2016
David Byrne and Mala Gaonkar discuss learning and art with Professors Anthony Wagner and Charles Kronengold in Oshman Hall. (CARLOS VALLADARES/The Stanford Daily)

David Byrne and Mala Gaonkar talk experiential learning and art at McMurtry

Jacob Kuppermann
  •  
Oct. 26, 2016
Dashiell Manley (U.S.A., b. 1983), The New York Times, Monday October 6 2014, national edition Southern California (front page), 2014. Watercolor pencil on canvas. Courtesy of Private Collection, San Francisco. Photograph courtesy of the artist and Jessica Silverman Gallery.

‘New to the Cantor’ packs a visual punch

Eric Huang
  •  
Oct. 24, 2016
Courtesy of Mia Ritter-Whittle

A-lan Holt talks “Art Practice as Spiritual Practice”

Olivia Witting
  •  
Oct. 20, 2016
(SAM STARKEY/The Stanford Daily)

Production of The Every 28 Hours Plays: A Staged Reading provides penetrating insight into the Black Lives Matter movement

Courtney Gao
  •  
Oct. 17, 2016
The Stanford Daily

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