Friday, November 14th, 2025

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Arts & Life

Culture
Photo taken of the biopigment paintings along a glass transparent wall with a stairwell visible on the other side.

From micro to macro: Transforming biopigments into art pieces

Derrick Chen
  •  
Dec. 1
Culture
A sculpture of Water-Moon Guanyin from the Met, facing the viewer straight-on.

​​​Looking and Feeling: The medieval Chinese bodhisattva that embodies compassion

Weili Jin
  •  
Nov. 21
Culture
Graphic of two graduation stoles, a blue Berkeley one on the left and a red Stanford one on the right

Caps and gowns across the Bay: Graduation fashion at Stanford vs. UC Berkeley

Dan Kubota
  •  
Nov. 21
Culture
A graphic of seven people dressed in tree costumes.

The tree-mendous Stanford mascot is fir real the best

Ellaheh Gohari
  •  
Nov. 21
Screen
Three South Asian people stand in the middle of a crowd, with the text "In Focus" across the bottom of the image.

In Focus: ‘C/o Kancharpelam’ addresses the small town taboo of love

Srithanya Satish
  •  
Nov. 20
Culture
Graphic of the five artworks shown. Left: “When the angels came they had guns” by Gregory Medina-Kenyon ’24. Upper middle: “Waterfront" by Franklin Lurie ’24. Upper right: "I, I" by Ingrid Nordberg’s ’25. Bottom right: “Our Home Is Now A Fleeting Memory” by Mhar Tenorio ’24. Bottom middle: “A Moment at the Louvre” by Sarah Dong ’26

Reflections on student art exhibit ‘When The Angels Came’

Lara Seyahi
  •  
Nov. 19
Screen
A movie screen in a dark theater depicts teenagers in a high school hallway

Levin celebrates birthday at Presidential FLiCKS

Cate Burtner
  •  
Nov. 19
Reads
The Stanford Daily and Daily Cal newspaper logos sit apart on top of newspaper clippings.

Stanford and Berkeley journalism alumni report on reporting

Catherine Wu
  •  
Nov. 19
Music
Yellow outlines of 2 Infinity Tickets and a Stanford student ID stem from the Infinity symbol for Coldplay's world tour.

You can get an Infinity Ticket to see Coldplay at Stanford. Here’s how.

Kelly Wang
  •  
Nov. 19
Screen
A photo of Hasan Minhaj with the text "Hasan Minhaj: Off With His Head Netflix Review"

Hasan Minhaj is done with the cancel, but keeps riffing on the culture

Cate Burtner
  •  
Nov. 18
Screen
A graphic of a person holding a camera pointed at the viewer.

How About Now: ‘Rebel Without a Cause’ preemptively rebels against teen-comedies

Mason Barrett
  •  
Nov. 18
Music
a digital drawing of a cassette tape

Made a mixtape, hope you like it: Fiona Apple

Amanda Altarejos
  •  
Nov. 17
Music
A graphic of Stanford's Frost Amphitheater and Berkeley's Greek Theater

Reviewing the (musical) roster: Stanford versus Cal’s live music venues

Charlotte Burks
  •  
Nov. 17
Screen
Three characters from film/TV are displayed: Peter Kavinsky, Gabriella Montez, and Cristina Yang

Do the most memorable cinematic characters attend Stanford or Cal?

Michaela Herbst
  •  
Nov. 15
Reads
Alan Lightman and moderators sit together on stage in front of audience.

Author Alan Lightman shares what it mean to have a transcendental experience

Dan Kubota
  •  
Nov. 14
Reads
Animated colored shapes of people sit in a circle reading books.

9 book clubs for all those looking for a reading community

Zara Fite
  •  
Nov. 13, 2024
Reads
A book is held open on a desk with the words "Rage on the Page" written across the pages.

Rage on the Page: Putting scandal on trial in ‘The Lost Honor of Katharina Blum’

Melisa Ezgi Guleryuz
  •  
Nov. 13, 2024
Culture
The Stanford a cappella group performs in various languages, traveling and teaching as a family. (Graphic: CHARLOTTE BURKS/The Stanford Daily)

Hearts for the Arts: Talisman brings song across the globe

Charlotte Burks
  •  
Nov. 12, 2024
Reads
cut outs from newspapers form a human silhouette behind the title of the column "Brutal Monsters"

‘Sad girl poetry’ and the gendered political madness of 2024

Cate Burtner
  •  
Nov. 12, 2024
Music
A birds eye view of The San Francisco Symphony sitting at their respective music stands on a large stage

Stanford Orchestra alumni review the SF Symphony

Peyton Lee
  •  
Nov. 12, 2024
The Stanford Daily

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