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Reads

Marc Tessier-Lavigne speaks at graduation

The Split $ubject: Modern Thought and Literature between gender performativity and psychoanalysis, part 2

Joe Goodhew
  •  
Feb. 15, 2018
Anderson Collection patrons Christine Nicholas and Julia Procopé stop to discuss the Mary Weatherford’s, “black painting” a gift of Debra and Steven Wisch'83, in honor of the Anderson family. (Courtesy of L.A. Cicero)

Art++: Mary’s Place

Ali Vaughan
  •  
Feb. 14, 2018
CATHY YANG/The Stanford Daily

Clickbait Philosophy: What you DON’T KNOW about mid-century phenomenology can KILL YOU.

Sam Rogers
  •  
Feb. 13, 2018
Amy Adams in "Arrival." (Courtesy of Paramount Pictures)

Movie adaptations: Fraudulent or faithful?

Arts & Life Reads beat writers
  •  
Feb. 13, 2018
Stegner Fellow Richie Hofmann. (Courtesy of Joe Hofmann Photography)

February’s Stegner Reading: The millennial brilliance of Richie Hofmann and Darri Farr

Claire Thompson
  •  
Feb. 13, 2018
Courtesy of Wikimedia Commons

Revisiting Siken

Maddie Kim
  •  
Feb. 11, 2018
Marc Tessier-Lavigne

The Split $ubject: Who’s your daddy, MTL? Between gender performativity and psychoanalysis

Joe Goodhew
  •  
Feb. 7, 2018
cardinal-red-daily-s-logo

Clickbait Philosophy: Everything you thought you knew about ethics IS WRONG

Cameron Hubbard
  •  
Feb. 6, 2018
Courtesy of the Library of Congress

The ugly and the glorified: Fitzgerald in retrospect

Claire Francis
  •  
Feb. 6, 2018
Courtesy of Wikimedia Commons

Falling into an obsessive love with George Eliot

Scott Stevens
  •  
Feb. 1, 2018
Courtesy of Bibliothèque nationale de France

Great writers, bad readers

Emma Heath
  •  
Jan. 31, 2018
Graphic of a person spray painting "Free Speech" in red on a brick wall.

Clickbait Philosophy: Navigating the path to free speech

Cameron Hubbard
  •  
Jan. 30, 2018
Courtesy of Stanford University

Language and identity in the Holy Land

Anat Peled
  •  
Jan. 29, 2018
Courtesy of Teatro Matacandelas

Marked bodies and the popularity of literary tattoos

Gracie Newman
  •  
Jan. 23, 2018
PAUL GEORGE/Flickr

Stanford Review 2.0 and ahistoricity

Ben Maldonado
  •  
Jan. 22, 2018
(Photo: Flickr)

The joy of committing (to memory)

Scott Stevens
  •  
Jan. 17, 2018
Courtesy of Paris Review

Exploring beginnings in Mary Ruefle’s ‘Madness, Rack, and Honey’

Maddie Kim
  •  
Jan. 16, 2018
Courtesy of 2 Writ

‘The Magicians’ fails to make its magic

Claire Francis
  •  
Jan. 16, 2018
(PHILLIP CAPPER/Wikimedia Commons)

Dirty realism: Authenticity in the 20th century

Gracie Newman
  •  
Jan. 7, 2018
Study of a Figure Outdoors: Woman with a Parasol (Facing Left)/Courtesy of Wikimedia Commons

Sexuality and stanzaic construction in ‘Warming Her Pearls’ and ‘Martha Pt. 2’

Claire Francis
  •  
Dec. 9, 2017
The Stanford Daily

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