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Reviews
‘Fifty Shades of Grayeties’ brings enthusiasm and a misleading title to Big Game Week
Dan Kubota
•
Dec. 1
Reviews
A soft ending, hit hard: Billie Eilish’s intimate tour finale at the Chase Center
Joanne dePierre
•
Nov. 30
Screen
‘Nunca volverán a verse’: Friendship, college and ‘Y tu mamá también’
Emmett Chung
•
Nov. 6
Music
Sombr showcases youthful exuberance at San Francisco showÂ
Sophia Teyolia
•
Nov. 3
Reviews
Lorde ‘lives on the edge’ for Ultrasound World Tour at Greek Theatre
Emerson Prentice
and
Chris Procaccino
•
Oct. 22
Theater
Pink, packed and proud: ‘Legally Blonde’ dazzles on closing night
Wesley Zhao
and
Dan Kubota
•
April 23
Reads
Rage on the Page: ‘Bunny’ by Mona Awad, a darkly hilarious descent into madness
Melisa Ezgi Guleryuz
•
Feb. 12, 2025
Music
ODIE’s R&B magic welcomes students back to campus
Joanne dePierre
•
Oct. 8, 2024
Culture
‘Don Quixote’ is en pointe and en garde
Adam Golomb
•
May 14, 2024
Culture
‘Man of God’ captures female rage and resistance
Ellen Kim
•
May 13, 2024
Culture
‘Book of Mountains and Seas’ transforms myths into modern commentary
Esther Ji
•
May 7, 2024
Culture
Playing in the sand: Digging deep in ‘Box of Sand’
Bhumikorn Kongtaveelert
•
May 7, 2024
Culture
Cardinal Canvas: ‘Stellar Axis’ makes its way from the Antarctic to the Anderson
Adam Golomb
•
May 2, 2024
Culture
Cardinal Canvas: Exploring the stunning final chapter of ‘Day Jobs’
Adam Golomb
•
April 26, 2024
Culture
‘This is Not Here’ exhibits the trickster archives of Fluxus
Alexandra Blum
•
April 8, 2024
Culture
‘The Wolves’ lets each character score their own goal
Hailey Ramzan
•
March 15, 2024
Culture
‘Yakuman Chance’: Girl talk at its finest
Dan Kubota
•
March 14, 2024
Culture
Harmonic hauntings: ‘Ghost Quartet’ captivates CoHo
Charlotte Kearns
•
Feb. 27, 2024
Culture
A spoonful of magic: Stanford Light Opera revives ‘Mary Poppins’
Charlotte Kearns
•
Feb. 26, 2024
Culture
Cardinal Canvas: Mourning home in Muriente’s ‘Celaje’
Adam Golomb
•
Feb. 22, 2024
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