‘It feels like there’s more purpose’: Emily Saletan reflects on playing the first gender-bent J.D. in ‘Heathers: The Musical’Kaushikee Nayudu • Jun 02 2021
Stanford Shakespeare Company brings the magic in ‘The Tempest: A Radio Play’Carissa Lee • Jan 27 2021
A conversation with Charlie Alterman: Broadway music, ‘Zoey’s Extraordinary Playlist’Catherine Sarca • Jan 14 2021
Season 2, eps. 4-5 of ‘Love is Blind Stanford’: Love triangle turned love lineMichaela Guo and Nicole Tong • Dec 21 2020
SF Playhouse brings Yasmina Reza’s brilliant, blistering, Tony Award-winning play ‘Art’ right to youOlivia Popp • Nov 17 2020
Stanford TAPS’s play ‘Cerulean’ explores vulnerability and human connection in a society reliant on technologyYejin Song • Aug 25 2020
‘Devised at Dink’: Producer Chloe Chow ’23 on revamping Gaieties 2020 to open-air sketch comedyVivian Jiang • Jul 17 2020
The Off the Farm ‘Benefit Cabaret’: Finding permanence in a time (and art form) of transienceJustine Sombilon • May 25 2020
Voices of Canceled Stanford Shows: Sarah Mergen ’19 on adapting Shakespeare and directing ‘HAL’Natalie Francis • May 01 2020
